克里奥尔语的草图

Zea Books Pub Date : 1900-01-01 DOI:10.32873/unl.dc.zea.1312
L. Hearn
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引用次数: 0

摘要

1878年的新奥尔良是北美最具异国情调和国际化的城市。它是一个拥有20多万居民的国际港口,对法国、西班牙、墨西哥、南美和西印度的文化影响开放,是自由的非裔美国人后裔的家园。它也是抗击黄热病(疟疾)的战场,也是重建结束后政治动荡的战场。盎格鲁-美国人的持续涌入和白人至上主义者的重新崛起,威胁到当地语言、种族和文化的融合,使这座城市独特的克里奥尔特征活跃起来。拉夫卡迪奥·赫恩为一份英文报纸撰写文章,介绍了运河街另一边克里奥尔化的土著人的演讲、魅力和幽默,并用木刻漫画为他的素描配图——这在南方报纸上是第一次。这些刊登在1878-1880年《新奥尔良每日新闻》上的小插图,以一种细腻而富有同情心的理解,捕捉了一个传统主义的城市世界及其丰富多彩的人物。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Creole Sketches
New Orleans in 1878 was the most exotic and cosmopolitan city in North America. An international port, with more than 200,000 inhabitants, it was open to French, Spanish, Mexican, South American, and West Indian cultural influences, and home to a thriving population descended from free African Americans. It was also a battleground in the fight against yellow fever (malaria) and in the political upheavals that followed the end of Reconstruction. The continued influx of Anglo-Americans and the renewed ascendancy of white supremacists threatened to overwhelm the local blend of languages, races, and cultures that enlivened the unique Creole character of the city. Writing for an English-language newspaper, Lafcadio Hearn presented the speech, charm, and humor of the Creolized natives on the other side of Canal Street, and illustrated his sketches with woodcut cartoons — the first of their kind in any Southern paper. These vignettes, published in the New Orleans Daily Item during 1878-1880, capture a traditionalist urban world and its colorful characters with a delicate and sympathetic understanding.
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