贝尔小说《呼叫者的声音》中的文学电影风格与圣经主题

Jūlija Dibovska
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引用次数: 0

摘要

阿尔贝茨·贝尔斯的小说在拉脱维亚文学史上占有一席之地,这些文本以其复调继续吸引着我们。贝尔斯的小说之所以没有失去其话题性,其中一个方面是作者沉迷于原型思维——新神话主义,特别是在潜台词和情节的直接实体中使用圣经人物、形象和母题。电影风格的元素体现了互文性的另一个方面,使贝尔斯的文本成为令人兴奋的、视觉上甚至视听上可感知的文学。贝尔斯小说的层次性呈现出一个坚固的网络,在一定的艺术体系框架内,对其文学作品的多维思想提供了创新的启示。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
LITERARY CINEMATOGRAPHIC STYLE AND THE BIBLICAL MOTIFS IN THE NOVEL “THE VOICE OF THE CALLER” BY ALBERTS BEL
Alberts Bels’ novels have occupied a remaining place in the history of Latvian literature and these texts continue to fascinate us with their polyphony. One of the aspects why Bels’ novels do not lose their topicality is the fact that the writer has indulged in archetypical thinking – neo-mythicism, specifically, use of biblical personages, images andmotifs in the subtext and in the direct substantiation for the plot. Another aspect of intertextuality that turns Bels’ texts into exciting, visually and even audio-visually perceivable literature is represented by the elements of cinematographic style. The layers of Bels’ novels reveal a firmnetwork that provide innovative revelations about the multidimensional ideas of his literary works by remaining within the framework of a certain artistic system.
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