戈戈:斯巴达的自主、权威和代理之女

Oliver R. Baker
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引用次数: 0

摘要

希罗多德揭示自己是一个原始的传记作家,更不用说原始的女权主义者,这种说法尚未被广泛接受。为了推进这些主张,我从希腊-波斯战争的一方选择了一位杰出的女性,她的活动在他的历史中得到了叙述。关键的是,它是一个几乎同时代的人,赫拉克利特,我们把这句格言êthos anthropôi daimôn ( θος ς νθρώπ ζ δα末路μων)归功于他——性格是人类的命运。正是这句格言的真理——它暗示了有效的人类能动性——使希罗多德创造的历史叙事成为可能。人们经常读希罗多德的小品,这些小品没有推进叙事,而是为他在《历史》中描绘的人物的性格增色。不管怎样,如果这些书没有普鲁塔克所描述的从摇篮到坟墓的故事,通过对这九本书的快速浏览,我们可以组成一个部分连续的叙述,从而通过他们的功绩,衡量他们的性格,使我们能够赋予他们荣誉和道德责任。可以说,这种隐含的因果关系表明,希罗多德的作品包含了很多相当于传记原型的东西,在几个例子中——这里给出了其中一个——女权主义原型。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Gorgo: Sparta’s Woman of Autonomy, Authority, and Agency
Claims that Herodotus reveals himself as a proto-biographer, let alone as a proto-feminist, are not yet widely accepted. To advance these claims, I have selected one remarkable woman from one side of the Greco-Persian Wars whose activities are recounted in his Histories. Critically it is to a near contemporary, Heraclitus, to whom we attribute the maxim êthos anthropôi daimôn (ἦθος ἀνθρώπῳ δαίμων) —character is human destiny. It is the truth of this maxim—which implies effective human agency—that makes Herodotus’ creation of historical narrative even possible. Herodotus is often read for his vignettes, which, without advancing the narrative, color-in the character of the individuals he depicts in his Histories. No matter, if these fall short of the cradle to grave accounts given by Plutarch, by hop-scotching through the nine books, we can assemble a partially continuous narrative, and thus through their exploits, gauge their character, permitting us to attribute both credit and moral responsibility. Arguably this implied causation demonstrates that Herodotus’ writings include much that amounts to proto-biography and in several instances—one of which is given here—proto-feminism.
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