舞台上的Yogya

B. Hatley
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引用次数: 0

摘要

自2008年首次演出以来,德国剧院公司Rimini Protokoll的“100%剧院”项目已经走遍了世界,动员了100名来自不同城市的居民,每个城市代表1%的人口,在舞台上扮演自己,表达自己的观点。2015年,该节目来到印尼日惹市,由里米尼与当地剧院公司Teater Garasi合作举办。在最近社会发展的背景下,100% Yogya被认为创造了一个充满活力的城市,正在经历现代化的变化,吸收全球影响,同时汇集了不同背景的参与者来表达他们的观点,揭示和必要地接受差异。全球戏剧模式应用于当地制作的令人印象深刻的戏剧。然而,随着这部影片所揭示的主要社会分化继续塑造着日惹的生活,挑战着“宽容之城”的称号,它的影响和持续的意义可能是什么,仍然没有答案。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Yogya on Stage
Since its first performance in 2008, German theatre company Rimini Protokoll’s 100% theatre project has travelled the world, mobilizing a hundred residents of diverse cities, each representing 1 per cent of the population, to play themselves and express their views on stage. In 2015 the show came to the Indonesian city of Yogyakarta, staged by Rimini in collaboration with local theatre company Teater Garasi. Reviewed in the context of recent social developments, 100% Yogya is seen to have created a vibrant picture of a city undergoing modernizing changes, absorbing global influences, while bringing together participants of diverse backgrounds to express their views, revealing and necessarily accepting differences. A global dramatic model applied locally produced impressive theatre. What its impact and ongoing significance may be, however, as key social divisions revealed by the production continue to shape Yogyakarta life, challenging the designation ‘city of tolerance,’ remain unanswered questions.
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