19世纪无脊椎动物玻璃复制品的3D科学可视化

D. Abate, S. Hermon, S. Lotti, G. Innocenti
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引用次数: 1

摘要

利奥波德和鲁道夫布拉什卡的海洋无脊椎动物复制品是19世纪为教学目的而制作的更著名的物品之一。他们的高水平的细节,仍然未知的制造技术和他们设想的艺术美感,使这些玻璃复制品成为珍贵的博物馆展品。这些由Blaschka家族(父子)制作的物品的脆弱性为它们的保存、研究和向公众展示提出了挑战。此外,它们复杂的反射率和材料(彩绘玻璃、彩色玻璃、玻璃和金属等)提出了一个特别有趣的3D数字化挑战。这篇论文报告了这种记录的初步结果,这些记录是对意大利佛罗伦萨科学技术基金会和佛罗伦萨大学自然历史博物馆动物学部分“La Specola”的精选文物进行的,这些文物现在都无法向公众开放。应用的方法包括便携式摄影测量,使用偏振光源。获得的3D模型是原始模型的精确数字替代品,返回几何特征和精确的颜色信息,可用于科学目的(测量和视觉观察),教学目的或在虚拟展览中向广大公众展示。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
3D Scientific Visualisation of 19th Century Glass Replicas of Invertebrates
The Leopold and Rudolf Blaschka replicas of ma- rine invertebrates are among the more famous objects produced in the XIXth century for pedagogical purposes. Their high level of detail, still unknown manufacturing technique and their con- ceived artistic beauty, make these glass replicas precious museum exhibits currently. The fragility of these items produced by the Blaschka family (father and son) poses challenges for their preservation, study and presentation to the public. Moreover, their complex reflectivity and materiality (painted glass, coloured glass, glass and metal, etc.) presents a particularly interesting 3D digitisation challenge. The paper reports first results of such doumentation, performed on selected artefacts from the collections of the Fondazione Scienza e Tecnica in Florence, Italy and the zoological Section "La Specola" of the Natural History Muse- um of the University of Florence, both inaccessible to the public nowadays. The method applied consists of portable photogram- metry, using polarised light sources. The obtained 3D models are accurate digital surrogates of the originals, returning geometrical features and precise color information, and can be used for scientific purposes (measurements and visual observations), pedagogical purposes or presentation to the wide public in virtual exhibitions.
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