图书馆是十九世纪下半叶至二十世纪初俄罗斯作家作品中“地产文化”的一个元素屠格涅夫,贡恰洛夫,布宁

N. Volodina
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引用次数: 0

摘要

19世纪俄罗斯作家对庄园图书馆的描写,在对人物的再现中发挥着叙事和性格的功能,同时也获得了作为文化祖先和民族记忆的人格化的象征意义。本文分析的主题是屠格涅夫(《浮士德》)、冈查罗夫(《悬崖》)和布宁(《安托诺夫卡苹果》、《爱的语法》)的作品。在屠格涅夫的故事《浮士德》中,一个歌德的悲剧,主人公图书馆里的书,当被人物一起阅读时,唤醒了他们的感情,帮助他们实现了自我,尽管最终把他们引向了戏剧性的结局。在冈恰罗夫的小说《悬崖》中,鲍里斯·雷斯基的图书馆和人物对图书馆的态度是人物的价值论特征之一,也是他们讨论记忆在世界文学传统中保存的作用,它所包含的意义的现实性的机会。在布宁的作品(《安东诺夫卡的苹果》、《爱的语法》)中,图书馆和庄园本身成为一种对过去文化怀旧的表达。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The library as an element of the “estate culture”in the works of Russian writersof the second half of the XIXth — beginning of the XXth centuries:I.S. Turgenev, I.A. Goncharov, I.A. Bunin
Descriptions of an estate library in the writings of the XIXth century Russian authors, performing a narrative and characterological function in the representation of the characters, at the same time acquires symbolic meaning as the personification of cultural ancestral and national memory. The subject of analysis in this article are I. Turgenev’s (“Faust”), I. Goncharov’s (“The Precipice”) and I. Bunin’s writings (“Antonovka Apples”, “The Grammar of Love”). In Turgenev’s story “Faust”, a Goethe’s tragedy, book from the protagonist’s library when being read together by the characters, wakes their feelings and helps them to realize themselves, though leads them eventually to the dramatic final. In Goncharov’s novel “The Precipice” Boris Raisky’s library and the characters’ attitude to it is one of the characters’ axiological characteristics and also an occasion for them to discuss the role of memory preserved in the tradition of world literature, the actuality of meanings that it comprises. In Bunin’s works (“Antonovka Apples”, “The Grammar of Love”) a library as well as an estate itself becomes an expression of nostalgia for the culture that is going to the past.
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