{"title":"The Wild Bunch:","authors":"G. Camy","doi":"10.2307/j.ctvqmp3rj.11","DOIUrl":null,"url":null,"abstract":"Gérard Camy’s thesis is that the violence in The Wild Bunch expresses the director’s pessimistic view of unredeemed (and potentially unredeemable) human nature. The film’s shootouts—raw, seemingly unmediated—are indicative of a societal breakdown of not just restraint but norms.","PeriodicalId":193542,"journal":{"name":"A Uniquely American Epic","volume":"72 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Wild Bunch:\",\"authors\":\"G. Camy\",\"doi\":\"10.2307/j.ctvqmp3rj.11\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Gérard Camy’s thesis is that the violence in The Wild Bunch expresses the director’s pessimistic view of unredeemed (and potentially unredeemable) human nature. The film’s shootouts—raw, seemingly unmediated—are indicative of a societal breakdown of not just restraint but norms.\",\"PeriodicalId\":193542,\"journal\":{\"name\":\"A Uniquely American Epic\",\"volume\":\"72 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-11-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"A Uniquely American Epic\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2307/j.ctvqmp3rj.11\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"A Uniquely American Epic","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/j.ctvqmp3rj.11","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Gérard Camy’s thesis is that the violence in The Wild Bunch expresses the director’s pessimistic view of unredeemed (and potentially unredeemable) human nature. The film’s shootouts—raw, seemingly unmediated—are indicative of a societal breakdown of not just restraint but norms.
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