分层历史:马赛的流浪圣经

Cynthia Beth Rubin, R. Gluck
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引用次数: 0

摘要

艺术家们根据真实的13世纪圣经的虚构故事开发了一个互动作品,研究了手稿的多个层面的含义:作为一个美丽的人工制品,作为一个反映中世纪西班牙文化融合的艺术作品,作为一个讲述故事的文本,这些故事本身就有不同的含义。将他们自己的照片和声音样本转化为数字媒体,创作过程挑战了艺术家将传统的犹太文化主题融入作品中,以吸引当代普通观众。并置、重新诠释和混合形式的艺术方法与犹太文化的本质相平行,也与其他历史上的游牧民族相平行。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Layered histories: the wandering bible of Marseilles
The artists developed an interactive work based on the imaginary story of an actual 13th century illuminated Bible, investigating the many levels of meaning of the Manuscript: as a beautiful artifact, as a work of art reflecting the convergence of cultures in medieval Spain, and as a text which tells stories which themselves are layered in meanings. Transforming their own photographs and sound samples with digital media, the creative process challenged the artists to incorporate traditional Jewish cultural motifs in a work intended to appeal to contemporary general audiences. Juxtaposition, reinterpretation, and hybrid formats as artistic approach parallel the essential nature of Jewish culture, as well that of other historically nomadic peoples.
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