在受冲突影响的城市通过多元文化的幼儿音乐课程建设未来

Michal Hefer, Claudia Gluschankof
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摘要

这项探索性研究的目的是了解在一个受冲突影响的城市参加一个文化混合的幼儿音乐班的几名巴勒斯坦和犹太父母的经历。集体音乐创作被认为是一种强大的方式,让人们联系和社交,无论他们的背景,并让他们通过音乐了解彼此。它还具有减少陈规定型观念的潜力,这在受冲突影响的地区尤其需要。数据来源包括课堂记录(视频和现场日记)、家长通过音乐课WhatsApp群在家中分享音乐剧集的音频和视频记录,以及对三位家长的半结构化采访。通过开放编码对数据进行归纳分析,出现了三个主题:为什么是音乐和音乐课程?音乐课体验;还有家里的音乐。这些主题反映了参加节目的原因以及孩子和他们的父母体验音乐的背景。调查结果显示,那些选择参加该方案的家庭对他者持积极态度,并没有报告他们的孩子对他者有明显的偏见或口头表达的偏见。参加课程的幼儿有可能不会对他者(阿拉伯人或犹太人)形成负面刻板印象,因为他们的家庭没有让他们接触到这种刻板印象。然而,他们是持有系统性种族偏见的社会(东耶路撒冷和西耶路撒冷)的成员,因此联合音乐课程可能会加强积极的态度。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Building a future through multicultural early childhood music classes in a conflict-affected city
The aim of this exploratory study was to understand the experience of several Palestinian and Jewish parents participating in a culturally mixed early childhood music class, held in a conflict-affected city. Collective music-making is considered to be a powerful way for people to connect and socialize, regardless of their backgrounds, and for them to get to know each other through music. It also has the potential of reducing stereotypes, which is especially needed in a conflict-affected area. Data sources included records of the classes (videos and a field diary), parents’ sharing of audio and video recordings of musical episodes at home through the music class WhatsApp group and semi-structured interviews with three parents. Data were analysed inductively through open coding and three themes emerged: why music and music classes?; the music class experience; and music at home. These themes reflect the reasons for participating in the programme and the contexts in which the children and their parents experience music. Findings show that those families who chose to participate in this programme hold positive attitudes towards the Other and reported neither observable nor vocally expressed prejudice of their children against the Other. The toddlers who participated in the classes have the potential to not develop negative stereotypes towards the Other (Arab or Jewish), since their families do not expose them to such stereotypes. Nevertheless, they are members of societies (East and West Jerusalem) holding systemic ethnic biases, and therefore joint music classes may strengthen positive attitudes.
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