主题娱乐中心设计中的强音与钢琴原理

D. Pishchev
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引用次数: 0

摘要

所有类型的创造力都有交叉点。建筑需要构图、雕塑、色彩、图形等。而音乐和建筑之间的联系,在19世纪,德国艺术理论家谢林,然后在20世纪高迪将其体现在圣家堂“耶稣诞生”的立面上。然而,直接使用音乐、曲调或任何与复杂主题相关的声音主题,这不仅是情景声音,而且真的会体现在建筑中,在那里它将不是在声学层面上被听到,而是在视觉或触觉层面上-现在没有这样的设备。由于分析简单,不需要音乐大学教育,所以选择了强音和钢琴的原理或音量原理作为最适合本研究的方法。免费的在线软件chrome.soundation.com可用于分析任何音乐作品。本研究的目的是结合音量、强音和钢琴的音乐原理,进行主题娱乐中心的设计。考虑到中心旋律的存在,设计单个部分或整体综合体,将增加对主题娱乐中心主题的沉浸感。分析现有主题娱乐中心的结构及其与这一假设的符合性。本研究的科学新颖之处在于,应用该方法的规律性和可能性使您可以获得一个有助于主题娱乐中心设计的工作工具。这种方法将使建筑师不仅可以影响对空间的有意识感知,还可以影响潜意识。因此,许多人不仅将音乐视为声音,而且如果我们让人们穿过与特定曲调相对应的空间,并使用该曲调进行设计,人们将能够同时感受到两种不同的感觉。本文的研究也可以作为对音乐大学教育中人的更详细研究的基础,并对这一方法进行延伸。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
PRINCIPLE OF FORTE AND PIANO IN THE DESIGN OF THEMATIC ENTERTAINMENT CENTERS
All the types of creativity have intersection points. The architecture requires composition, sculpture, color, graphics, etc. And the connection between music and architecture, in the nineteenth century, the German art theorist Schelling, and then in the twentieth century Gaudi embodied it into the Sagrada Familia on the facade of "Nativity". However, the direct use of music, tune or any sound theme that is relevant to the complex theme, and which will not only be episodic sound, but really will be embodied into architecture, where it will be heard not at the acoustic level, but at visual or tactile ones – there is not such an equipment now. The principle of forte and piano, or the principle of volume, was chosen as the most suitable for this study, due to the simplicity of the analysis, which does not require music university education. The free online software chrome.soundation.com is used for the analysis of any musical compositions. The goal of the research is to combine the musical principles of volume, forte and piano, the design of thematic entertainment centers. Designing individual parts, or whole complexes, taking into account the central melody, if it exists, will give additional immersion into the theme of thematic entertainment centers. It should analyze the structure of existing thematic entertainment centers and their coincidence with this hypothesis. The scientific novelty of the research is that the regularity and possibility of applying this method allow you to get a working tool that will help during designing of thematic entertainment centers. This method will make it possible for the architects to influence not only on the conscious perception of space, but also on the subconscious. Thus, many people perceive music not only as the sound, but if we move people through space that corresponds to a specific tune and designed using this tune – people will be able to feel architecture with two different sensations at once. This article can also be the basis for more detailed research for people with music university education, and the extension of this method.
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