{"title":"拥抱我所有的树:一本生态批判读物","authors":"Fatemeh-Mehr Khansalar","doi":"10.3366/edinburgh/9781474477611.003.0013","DOIUrl":null,"url":null,"abstract":"This chapter offers a unique ecocritical perspective on Banietemad’s documentaries and filmmaking. In particular, the chapter considers the independent Karestan project that Banietemad co-established and undertakes a close reading of the documentary All My Trees, which portrays Mahlagha Mallah, mother of Iran’s environment.","PeriodicalId":404586,"journal":{"name":"ReFocus: The Films of Rakhshan Banietemad","volume":"20 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-04-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Embracing All My Trees: An Ecocritical Reading\",\"authors\":\"Fatemeh-Mehr Khansalar\",\"doi\":\"10.3366/edinburgh/9781474477611.003.0013\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter offers a unique ecocritical perspective on Banietemad’s documentaries and filmmaking. In particular, the chapter considers the independent Karestan project that Banietemad co-established and undertakes a close reading of the documentary All My Trees, which portrays Mahlagha Mallah, mother of Iran’s environment.\",\"PeriodicalId\":404586,\"journal\":{\"name\":\"ReFocus: The Films of Rakhshan Banietemad\",\"volume\":\"20 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-04-20\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ReFocus: The Films of Rakhshan Banietemad\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/edinburgh/9781474477611.003.0013\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ReFocus: The Films of Rakhshan Banietemad","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/edinburgh/9781474477611.003.0013","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
本章对巴尼特马德的纪录片和电影制作提供了独特的生态批评视角。这一章特别考虑了Banietemad参与建立的独立的Karestan项目，并仔细阅读了纪录片《我的树》(All My Trees)，该片描绘了伊朗环境之母马赫拉哈·马拉(Mahlagha Mallah)。
This chapter offers a unique ecocritical perspective on Banietemad’s documentaries and filmmaking. In particular, the chapter considers the independent Karestan project that Banietemad co-established and undertakes a close reading of the documentary All My Trees, which portrays Mahlagha Mallah, mother of Iran’s environment.
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