Aditya Nirwana, Evelyne Afriliana Gultom
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摘要

漫画,或在印度尼西亚,通常被称为cergam (cerita bergambar),后来他们在艺术和文学科学中发现了作为连续艺术的紧迫性,其存在可以在艺术和文学中得到欣赏。本研究将突出《5厘米每秒》的文学方面或意识形态方面,特别是在流动和性格方面。这项研究的目的是揭示或解释悲剧是如何在5厘米每秒中被揭示的。为了实现这些目标,本研究的理论化是通过演绎来回答研究问题的。用来解释这个问题的理论是亚里士多德的悲剧概念,这与他的作品《诗学》有关,这是一部古典希腊哲学著作。通过对漫画在视觉和文学技术成就两方面具有优势的流程和顺序的解释,期望本研究的结果成为制作漫画的考虑因素。这项研究的结果可以得出这样的结论:漫画是通过模仿物体、事件、行为和人物来呈现的,这种道德范畴比人类或整个世界都要好。此外,在这个漫画故事中,几乎所有的角色(或亚里士多德术语中的“演员”)都知道如何表演,他们真的知道但不去做,最终陷入痛苦的泥潭。亚里士多德认为,像这样的悲剧故事是最糟糕的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Narasi Tragis Dalam Manga : Sebuah Kajian Estetika Aristotelian Terhadap Komik 5 Centimeters per Second
Comics, or in Indonesian, are often referred to as cergam (cerita bergambar), later they have found urgency in the science of art and literature as sequential art, whose existence can be appreciated both in art and literature. This study will highlight literary aspects or ideoplastic aspects of 5 Centimeters per Second, especially in flow and character . The purpose of this study is to reveal or explain how the tragedy was revealed in 5 Centimeters per Second. In achieving these objectives, the theorization in this study was done deductively to answer the research questions. The theory used to explain the problem is the concept of Aristoteles's Tragedy, which relates to his work Poetics as a work of classical Greek philosophy. With an explanation of the flow and the order of comics that have advantages in two respects (visual and literary technical achievements), the results of this study are expected to be a consideration in making comics. The results of this study can be concluded that the manga is present by imitating objects, events, actions, and character in a moral category that is better than humans or the world in general. In addition, in this manga story, almost all the characters (or 'actors' in Aristoteles's terminology) are aware of how to act, they really know but don't do it, eventually sinking into a puddle of suffering. According to Aristoteles, a tragic story like this is the worst.
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