N. Fonseca, Aníbal J. S. Ferreira, Ana Paula Rocha
{"title":"串联唱腔再合成","authors":"N. Fonseca, Aníbal J. S. Ferreira, Ana Paula Rocha","doi":"10.1109/ICDSP.2011.6004986","DOIUrl":null,"url":null,"abstract":"The concept of capturing the sound of “something” for later replication is not new, and it is used in many synthesizers. But capturing sounds and use them as an audio effect, is less common. This paper presents an approach for the resynthesis of a singing voice, based on concatenative techniques, that uses pre-recorded audio material as an high level semantic audio effect, replacing an original audio recording with the sound of a different singer, while trying to keep the same musical/phonetic performance.","PeriodicalId":360702,"journal":{"name":"2011 17th International Conference on Digital Signal Processing (DSP)","volume":"69 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2011-07-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"3","resultStr":"{\"title\":\"Concatenative singing voice resynthesis\",\"authors\":\"N. Fonseca, Aníbal J. S. Ferreira, Ana Paula Rocha\",\"doi\":\"10.1109/ICDSP.2011.6004986\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The concept of capturing the sound of “something” for later replication is not new, and it is used in many synthesizers. But capturing sounds and use them as an audio effect, is less common. This paper presents an approach for the resynthesis of a singing voice, based on concatenative techniques, that uses pre-recorded audio material as an high level semantic audio effect, replacing an original audio recording with the sound of a different singer, while trying to keep the same musical/phonetic performance.\",\"PeriodicalId\":360702,\"journal\":{\"name\":\"2011 17th International Conference on Digital Signal Processing (DSP)\",\"volume\":\"69 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2011-07-06\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"3\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"2011 17th International Conference on Digital Signal Processing (DSP)\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1109/ICDSP.2011.6004986\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"2011 17th International Conference on Digital Signal Processing (DSP)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1109/ICDSP.2011.6004986","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The concept of capturing the sound of “something” for later replication is not new, and it is used in many synthesizers. But capturing sounds and use them as an audio effect, is less common. This paper presents an approach for the resynthesis of a singing voice, based on concatenative techniques, that uses pre-recorded audio material as an high level semantic audio effect, replacing an original audio recording with the sound of a different singer, while trying to keep the same musical/phonetic performance.
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