{"title":"叙事编织:一种处理适应性纪录片叙事悖论的模式","authors":"C. Hargood, Michael O. Jewell, D. Millard","doi":"10.1145/2310076.2310080","DOIUrl":null,"url":null,"abstract":"The Narrative Paradox is a theory that describes interaction and narrative cohesion as being in tension, and asserts that the structure of a narrative is disrupted by user adaptivity, leading to possible incoherence as the system accounts for interaction. We propose an approach that may reduce this disruption. Specifically, we propose to model a narrative as a collection of threads, woven together into the final discourse as a narrative braid. By separately maintaining logical coherence within a thread and thematic coherence between threads we believe it is possible to introduce interactivity while maintaining a strong narrative structure. We discuss how this may be applied to adaptive documentaries which, with a wide base of recorded material and diverse plot threads, provide a rich medium for initial experimentation in this area.","PeriodicalId":445399,"journal":{"name":"NHT '12","volume":"61 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2012-06-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"5","resultStr":"{\"title\":\"The narrative braid: a model for tackling the narrative paradox in adaptive documentaries\",\"authors\":\"C. Hargood, Michael O. Jewell, D. Millard\",\"doi\":\"10.1145/2310076.2310080\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The Narrative Paradox is a theory that describes interaction and narrative cohesion as being in tension, and asserts that the structure of a narrative is disrupted by user adaptivity, leading to possible incoherence as the system accounts for interaction. We propose an approach that may reduce this disruption. Specifically, we propose to model a narrative as a collection of threads, woven together into the final discourse as a narrative braid. By separately maintaining logical coherence within a thread and thematic coherence between threads we believe it is possible to introduce interactivity while maintaining a strong narrative structure. We discuss how this may be applied to adaptive documentaries which, with a wide base of recorded material and diverse plot threads, provide a rich medium for initial experimentation in this area.\",\"PeriodicalId\":445399,\"journal\":{\"name\":\"NHT '12\",\"volume\":\"61 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2012-06-25\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"5\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"NHT '12\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1145/2310076.2310080\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"NHT '12","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1145/2310076.2310080","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The narrative braid: a model for tackling the narrative paradox in adaptive documentaries
The Narrative Paradox is a theory that describes interaction and narrative cohesion as being in tension, and asserts that the structure of a narrative is disrupted by user adaptivity, leading to possible incoherence as the system accounts for interaction. We propose an approach that may reduce this disruption. Specifically, we propose to model a narrative as a collection of threads, woven together into the final discourse as a narrative braid. By separately maintaining logical coherence within a thread and thematic coherence between threads we believe it is possible to introduce interactivity while maintaining a strong narrative structure. We discuss how this may be applied to adaptive documentaries which, with a wide base of recorded material and diverse plot threads, provide a rich medium for initial experimentation in this area.