铭记哥伦布,忘却种族:美国南部的记忆、白人至上主义和意大利裔美国人身份

Nicole Maurantonio
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引用次数: 0

摘要

在2020年5月乔治·弗洛伊德(George Floyd)被谋杀的消息传出后,世界各地的抗议者组织起来,强调警察对黑人和棕色人种的暴行。除了一系列要求,包括削减警察部门的资金,抗议者还呼吁拆除白人至上主义的公共象征。尽管抗议者的主要目标是纪念南方邦联领导人的雕像,但纪念克里斯托弗·哥伦布的网站也招致了类似的批评。在弗吉尼亚州的里士满,示威者不仅推翻了哥伦布的雕像;他们把它烧了,扔进了附近的喷泉湖。虽然将哥伦布雕像浸入水中的决定可能被解释为一种方便的表演策略,但这篇文章表明,这一行动充满了意义。抗议者将哥伦布和邦联领导人之间的叙事联系起来,将纪念这些历史人物的纪念碑视为种族恐吓的仿制品。然而,这篇文章认为,这种叙述——从字面和比喻的角度——冲走了意大利移民到这座城市、同化和“变白”过程的复杂历史。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Remembering Columbus, Forgetting Ethnicity: Memory, White Supremacy, and Italian American Identity in the American South
Following news of the May 2020 murder of George Floyd, protesters around the world organized to highlight police brutality against Black and Brown people. Alongside a list of demands including the defunding of police departments, protesters also called for the removal of public symbols of white supremacy. Although protesters took aim primarily at statues memorializing Confederate leaders, sites commemorating Christopher Columbus drew similar criticism. In Richmond, Virginia, demonstrators not only toppled the statue to Columbus; they lit it on fire and dumped it in nearby Fountain Lake. While the decision to submerge the Columbus statue in water might be interpreted as a convenient performative ploy, this article suggests that the action is one suffused with meaning. Forging a narrative linkage between Columbus and Confederate leaders, protesters cast the monuments commemorating these historic actors as analogue artifacts of racial intimidation. This article argues, however, that this narrative washed away—in both literal and figurative terms—a complex history of Italian immigration to the city, assimilation, and the process of “becoming white.”
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