从查尔斯·莫里斯的符号学角度来看,“祈祷之歌”的寓意是“比斯米拉之爱”

Alvin Khoiron, Fathimatuz Zahroh
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引用次数: 1

摘要

本研究旨在通过定性方法和查尔斯·莫里斯的符号学理论方法,从总体上解释这首歌、“打”信息的内容以及信息在当前语境中的紧迫性。根据研究结果,这首歌有十个抒情诗节,五个抒情诗节,重复歌词作为对意义的肯定。这首歌有一个da'wah的信息,让人们对上帝和人类同胞有信心。该信息还强调了精神振奋、耐心、面对考验的真诚,以及在所有事情上始终给予正能量的重要性。这首歌的歌词传达了“da’wah”的信息,这是对正在遭受大流行打击的印度尼西亚的情况和条件的关注。这一研究揭示了各种打哇方式和媒介的重要性,这些媒介可以填充打哇信息,因此歌曲也是打哇的一种手段,这是非常重要的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Pesan Dakwah Lagu Bismillah Cinta dalam Perspektif Semiotika Charles Morris
This study aims to explain, in general, the song, the content of the da'wah message, and the urgency of the message in the current context through a qualitative approach and Charles Morris' semiotic theory approach. Based on the research results, the song Bismillah Cintahas ten lyric stanzas with five stanzas and repetition of song lyrics as an affirmation of meaning. The song has a message of da'wah so that people have faith in God and fellow human beings. The message also emphasizes the importance of high spirits, patience, sincerity in facing trials, and always giving positive energy in all things. The message of da'wah in the song's lyrics is essential to convey following the situation and conditions in Indonesia, which is being hit by a pandemic. This research has implications for the importance of various da'wah methods and media that can be filled with da'wah messages so that the song is also a means of da'wah, which is quite significant.
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