滑板在原地

Kim Shortreed
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引用次数: 0

摘要

这篇探索性论文考虑了滑板运动/艺术/活动,因为它与空间体验、身份以及我们的个人和动态语言交织在一起。我试图了解滑板者,尤其是土著滑板者,可以教给我们理解空间、地点和身份的另一种方式。我认为滑板运动鼓励空间理解和景观利用的特殊方式,我认为这是一种滑板逃生:通过滑板者的眼睛看到的景观。通过滑板媒体和艺术镜头,我反思滑板对地方和归属感叙事的一些影响。然后,我考虑这些个人叙述,并试图拓宽滑板的定义,并以此推测我们如何通过运动和存在来创造、分享和驾驭我们独特的个人空间语言。最后,我想说的是,对土著滑板的欣赏照亮了我作为定居者的心理盲点:直到最近,我还没有完全承认我曾经滑过的每一个地方都是土著的土地。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Skateboarding in Place
This exploration paper considers the sport/art/activity of skateboarding as it intertwines with spatial experiences, identities, and our personal and kinetic vernaculars. I try to understand what skateboarders, and Indigenous skateboarders especially, can teach us about alternative ways to understand space, place, and identity. I posit that skateboarding encourages spatial comprehension and landscape-use in particular ways, what I think of as a skatescape: a landscape as seen through skateboarders’ eyes. Through a skateboarding media and art lens, I reflect on some ways in which skateboarding influences narratives of place and belonging. I then consider these personal narratives and attempt to broaden the definition of a skatescape and in so doing speculate on how we create, share, and navigate our unique and personal spatial languages through movement and presence. Finally, I reveal that appreciating Indigenous skatescapes has illuminated a blindspot in my settler psyche: that up until recently I had not acknowledged fully that each and every spot I have ever skated was and is Indigenous land.
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