创造力,文化的语言:儿童如何掌握它

V. Kudryavtsev
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引用次数: 0

摘要

“谁把月亮钉在天上,把星星粘在天上?”“河流把水抽到海洋里,可是谁把水抽到河里呢?”“谁移动地平线?”所有这些都引起了小孩子的极大兴趣。法国人类学家吕西安·卢萨维·布鲁尔[原文未引用]。[20世纪10年代和20年代]从与原始心理有关的材料中研究了这一现象,并将其作为其特征之一。大约在同一时间,瑞士心理学家让·皮亚杰[原文中未引用]。在学龄前儿童的心理中发现了这一特点。原始人和儿童都相信,人们周围的一切都是由某个匿名创造者的意志和计划创造出来的。他们认为任何事实都是“人工制品”:他们认为自然而非人为的东西是人为的和人为的。科学将这种现象称为“人工主义”。然而,这种现象本身是众所周知的,每一个不断与学龄前儿童交流的人……星星不仅粘在天空上,而且还燃烧着。因此,有人需要这样做吗?
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Creativity, the Language of Culture: How Children Master It
“Who nailed the moon and glued the stars to the sky?”; “A river pumps its water into the ocean but who pumps water into the river?”; “Who moves the horizon?”... All this is of extraordinary interest to small children. The French anthropologist Lucien Lévy-Bruhl [not cited in the original.–Ed.] studied this phenomenon in the 1910s and 1920s from material related to the primitive mentality as one of its characteristic trait. Approximately at the same time the Swiss psychologist Jean Piaget [not cited in the original.–Ed.] discovered this trait in the mentality of preschoolers. Both primitive people and children are convinced that everything around people has been created by the will and plan of some anonymous maker. They assess any fact as an “artifact”: they perceive that which is natural and not man-made as artificial and man-made. Science refers to this phenomenon by the term “artificialism.” However, the phenomenon itself is well known to everyone who continually communicates with preschool children... Stars are not only glued to the sky, but are also lit on fire. Therefore, someone needs this done?
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