与吉尔摩兄弟一起重看:重看播客和剩余消费

Nicholas Benson
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引用次数: 0

摘要

本文认为Gilmore Guys是重看播客的文本,并利用粉丝调查反馈将重看播客置于一系列新兴的消费实践和工业条件中,这些消费实践和工业条件模糊了电视和播客、旧媒体和新媒体、网络时代和后网络时代的消费实践之间的界限。我进一步阐述了丽贝卡·威廉姆斯(Rebecca Williams)关于后客体狂热的概念,认为这些播客恢复了原作节目缺失所带来的本体论安全。在整个过程中,我试图理清播客中不可避免地出现的某些性别话语和对抗,这些话语和对抗是关于男性观看原本面向女性的节目的,我认为,剩余的消费模式往往会与关于观众参与的性别假设纠缠在一起,并重现这种假设。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Rewatching with the Gilmore Guys: Rewatch Podcasts and Residual Consumption
abstract:This article considers Gilmore Guys to be an urtext of rewatch podcasts and uses fan survey responses to situate rewatch podcasts within a set of emerging consumption practices and industrial conditions that blur the lines between television and podcasting, old and new media, and network-era and post-network-era consumption practices. I expand upon Rebecca Williams's notion of post-object fandom by suggesting that these podcasts restore the ontological security brought about by the absence of the original show. Throughout, I attempt to untangle certain gendered discourses and antagonisms that inevitably emerge in a podcast about men watching a show originally marketed to women, and I suggest that residual modes of consumption can often be entangled with and reproduce gendered assumptions about audience engagement.
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