{"title":"与吉尔摩兄弟一起重看:重看播客和剩余消费","authors":"Nicholas Benson","doi":"10.7560/vlt9103","DOIUrl":null,"url":null,"abstract":"abstract:This article considers Gilmore Guys to be an urtext of rewatch podcasts and uses fan survey responses to situate rewatch podcasts within a set of emerging consumption practices and industrial conditions that blur the lines between television and podcasting, old and new media, and network-era and post-network-era consumption practices. I expand upon Rebecca Williams's notion of post-object fandom by suggesting that these podcasts restore the ontological security brought about by the absence of the original show. Throughout, I attempt to untangle certain gendered discourses and antagonisms that inevitably emerge in a podcast about men watching a show originally marketed to women, and I suggest that residual modes of consumption can often be entangled with and reproduce gendered assumptions about audience engagement.","PeriodicalId":335072,"journal":{"name":"The Velvet Light Trap","volume":"82 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-02-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Rewatching with the Gilmore Guys: Rewatch Podcasts and Residual Consumption\",\"authors\":\"Nicholas Benson\",\"doi\":\"10.7560/vlt9103\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"abstract:This article considers Gilmore Guys to be an urtext of rewatch podcasts and uses fan survey responses to situate rewatch podcasts within a set of emerging consumption practices and industrial conditions that blur the lines between television and podcasting, old and new media, and network-era and post-network-era consumption practices. I expand upon Rebecca Williams's notion of post-object fandom by suggesting that these podcasts restore the ontological security brought about by the absence of the original show. Throughout, I attempt to untangle certain gendered discourses and antagonisms that inevitably emerge in a podcast about men watching a show originally marketed to women, and I suggest that residual modes of consumption can often be entangled with and reproduce gendered assumptions about audience engagement.\",\"PeriodicalId\":335072,\"journal\":{\"name\":\"The Velvet Light Trap\",\"volume\":\"82 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-02-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Velvet Light Trap\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7560/vlt9103\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Velvet Light Trap","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7560/vlt9103","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Rewatching with the Gilmore Guys: Rewatch Podcasts and Residual Consumption
abstract:This article considers Gilmore Guys to be an urtext of rewatch podcasts and uses fan survey responses to situate rewatch podcasts within a set of emerging consumption practices and industrial conditions that blur the lines between television and podcasting, old and new media, and network-era and post-network-era consumption practices. I expand upon Rebecca Williams's notion of post-object fandom by suggesting that these podcasts restore the ontological security brought about by the absence of the original show. Throughout, I attempt to untangle certain gendered discourses and antagonisms that inevitably emerge in a podcast about men watching a show originally marketed to women, and I suggest that residual modes of consumption can often be entangled with and reproduce gendered assumptions about audience engagement.