在水手、海盗和牧师之间:介绍中世纪地中海的船舶涂鸦世界

Ioannis Nakas
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引用次数: 1

摘要

船只涂鸦是地中海国家中世纪和后中世纪纪念碑墙壁上最常见的插图或破坏行为之一。中世纪的人们在诸如帕台农神庙和马略卡岛大教堂之类的纪念碑以及诸如蓄水池和浴池之类的简陋建筑上雕刻了许多不同类型和大小的器皿。谁画的这些涂鸦?,为什么?它们出现在礼拜场所(教堂、清真寺)表明它们是供应和许愿的象征,但同样常见的是它们出现在世俗建筑中,通常与水有关(浴室、喷泉等)。此外,他们的质量范围从简单的“香蕉船”到船体及其索具的高度精确的表示。本文将研究中世纪地中海涂鸦的某些案例研究,并为他们的雕刻师或画家的性质以及导致他们创作的环境提出不同的场景。其目的是探索船舶涂鸦创作与当代世界之间的复杂关系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Between Mariners, Pirates and Priests: An Introduction to The World of Ship Graffiti In Medieval Mediterranean
Ship graffiti are one of the most common illustrations or vandalismsfound on the walls of medieval and post-medieval monuments in Mediterraneancountries. A multitude of vessels of various types and sizes have been carvedor drawn by the people of the Middle Ages on monuments, such as the Parthenonand the cathedral of Majorca, and humble buildings, such as cisterns and baths. Who made these graffiti? And why? Their occurrence in places of worship(churches, mosques) indicates that they were tokens of suppliance and votives,but equally common is their appearance in secular buildings, often related withwater (baths, fountains, etc.). Moreover, their quality ranges from simplistic‘banana boats’ to highly accurate representations of ship hulls and theirrigging.  This paper will examine certain case studies of medieval Mediterraneangraffiti and propose different scenarios for the nature of their engravers orpainters and the circumstances which led to their creation. Its aim is toexplore the complicated relationship between the creation of ship graffiti andthe contemporary world.
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