18世纪在恰布莱斯宫壁龛室的绘画处理:方法方法,技术解决方案和修饰

Alessandro Gatti, Danilea Russo, Roberta Capezio, A. Piccirillo, Massimiliano Caldera, Paola Manchinu
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引用次数: 0

摘要

本文阐述了诊断活动的结果,在2019年对Palazzo Chiablese的Alcova室进行干预期间出现的问题和做出的选择,特别关注了18世纪下半叶面板的彩色木制lambriggio的美学恢复阶段。在19世纪,环境的预期用途发生了根本性的变化,加上二战期间发生的破坏,给彩绘文物留下了不可磨灭的创伤。特别是,面板经过反复处理,例如在某些情况下隐藏18世纪的绘画,创造出强烈的视觉不连续性。图片活动包括多种技术解决方案,根据遇到的具体问题进行调整:根据历史摄影文献和与保存最完整的面板的装饰元素进行直接比较,进行小的修饰和广泛的重建。为了符合文物的保守历史,开发了一个整体修复项目,旨在寻找一种新的美学单元,能够与剩余的固定家具和移动环境进行连贯的交流。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
THE PICTORIAL TREATMENT OF THE 18 TH CENTURY PAINTED LAMBRIGGIO IN THE ALCOVA ROOM OF PALAZZO CHIABLESE: METHODOLOGICAL APPROACH, TECHNICAL SOLUTIONS AND RETOUCHING
This paper illustrates the results of the diagnostic campaign, the problems that emerged and the choices made during the 2019 intervention in the Alcova room of Palazzo Chiablese, paying particular attention to the phase of aesthetic restitution of the polychrome wooden lambriggio with panels dated to the second half of the 18th century. The radical changes in the intended use of the environment during the 19th century, associated with the destruction that occurred during WW2, left indelible wounds on the painted artefacts. In particular, the panels have undergone repeated treatments such as to conceal, in some cases, the 18th century paintings, creating a strong visual discontinuity. The pictorial activity included diversified technical solutions, modulated according to the specific problems encountered: small retouching alternated with extensive reconstructions based on historical photographic documentation and on direct comparison with the decorative elements of the most preserved panels. In compliance with the conservative history of the artefacts an overall recovery project was developed aimed at the search for a new aesthetic unit capable of coherently communicating with the remaining fixed furniture and mobile environment. 
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