本体论在电影场景知识表示中的应用

Yannis Christodoulou, Nikoletta Mavrogeorgi, P. Kalogirou
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引用次数: 4

摘要

在本文中,我们探索本体论,作为捕捉电影制作领域知识的一种手段。更具体地说,我们打算展开讨论,以指导direcnotation的发展。direcnotation是一个正在开发的开源工具,用于表示媒体内容,在其前期制作和制作阶段,使用符号符号系统,电影导演可以在其中正式记录他的意图。DirectorNotation的作者建议用本体来形式化和推理他们的符号系统。当前的论文讨论了这种技术选择,考虑到它的局限性,并提出了关于需要完成的工作的建议,如果要克服这些局限性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Use of Ontologies for Knowledge Representation of a Film Scene
In the present paper we explore ontologies, as a means to capture knowledge of the film-making domain. More specifically, we intend to open a discussion so as to guide the development of DirectorNotation, an under-development open-source tool for representing media content, as of its pre-production and production phases, using a symbolic notation system, in which a film director can formally record his intentions. DirectorNotation's authors suggest ontologies for formalizing and reasoning over their notation system. The current paper discusses this technical choice, considering its limitations, and makes suggestions about the work that needs to be performed if these limitations are to be overcome.
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