叙述

G. Rhodes, R. Singer
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引用次数: 0

摘要

为了深入探讨这些问题,第二章涵盖了叙事,特别研究了电视广告如何在场景、类型、跨类型和重拍方面运作。本章认为,制作电视广告的叙事框架是有争议的,一个镜头接一个镜头,一秒接一秒,就像一部全长的故事片一样经常具有创造性。一些商业广告采用好莱坞的电影叙事形式;其他人则不同。产品及其“信息”可能是现实的,也可能是完全梦幻的;然而,电视广告确实是一种叙事,一种批判性的实质性形式,无论是以生活片段的形式展开,还是以表现风格的形式展开。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Narrative
To explore these issues in-depth, Chapter 2 covers narrative, specifically examining how television commercials operate in terms of Scene, Genre, Cross-Genre, and the Remake. This chapter contends that the narrative framework for producing the television commercial is arguably, shot by shot, second to second, as frequently creative as a full-length feature film. Some commercials utilize cinematic narrative forms of Hollywood; others diverge from the same. The product and its “message” might be realistic or wholly fantastic; nevertheless, the TV commercial is indeed a narrative, a critically substantial formation, whether it unfolds in the form of a slice-of-life story or a presentational style pitch.
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