“济品塔里”新堂舞的重建

Anggi Wulan Sari, Sri Rochana Widyastituningrum
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引用次数: 0

摘要

Jepin Tali舞是来自西加里曼丹省Sintang Regency的传统马来舞蹈之一。这种Jepin Tali舞蹈当时非常流行,特别是在马来部落社区,因为社区在每次演出时都会参加舞蹈或bejepen。这是一种由男女舞者共同表演的群舞。然而,这支舞一直在冬眠。因此,本研究旨在重建Jepin Tali舞蹈,使其在社区中得以复兴。本研究是以实践为主导的研究。采用访谈法、观察法和文献研究法收集资料。Burra Charter的理论被运用到舞蹈重构中。这项研究的结果表明,重建将运动范围从3种增加到16种,乐器,化妆和服装,以及地板图案。利用红、绿、蓝、黄四种颜色编成的八根绳子的特性,在西蒂·祖拜达的诗歌配乐的伴奏下,舞蹈结构发展为开始、核心和结束三部分。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
THE RECONSTRUCTION OF “JEPIN TALI” SINTANG DANCE
Jepin Tali dance is one of the traditional Malay dances from Sintang Regency, West Kalimantan Province. This Jepin Tali dance was very popular then, especially among the Malay tribe community, because the community participated in dancing or bejepen at every performance. This is a group dance performed by both male and female dancers. However, this dance has been hibernating. Accordingly, this research aims to reconstruct the Jepin Tali dance so it can be revived in the community. This study is a practice-led research. Data were collected through interviews, observation, and literature study. Burra Charter's theory was used in the dance reconstruction. The results of this study indicate that the reconstruction increased the range of motion from 3 to 16 varieties, musical instruments, make-up and clothing, and floor patterns. The dance structure was developed into three parts: the beginning, the core, and the closing, by using the property of eight ropes braided in red, green, blue, and yellow colors and accompanied by music featuring Siti Zubaidah's poetry.
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