第一个研究

Nikhil Govind
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引用次数: 1

摘要

第一章讨论了由k·r·米拉创作、文化历史学家j·德维卡翻译的开创性当代小说《女绞刑者》(2016)。小说通过年轻女子切特纳的视角,聚焦于死刑的伦理困境。切特纳继承了这一可怕的职业——然而,新的因素是哗众取宠的电视媒体的出现,这将原本应该是犯罪和悲情的时刻减少为对商业曝光的耸人听闻的追求。这一章允许这本书的前景的不公正和道德问题,因为他们与一个次等的年轻女性的性别观点相互作用。主体性的概念在这些关于个人羞耻的难题中找到了一个开放和视野,并决心在一个艰难而无情的世界中开辟自己的道路。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
First Study
The first chapter discusses the path-breaking contemporary novel Hangwoman (2016) written by K. R. Meera, and translated by cultural historian J. Devika. The novel focalizes the ethical dilemmas of capital punishment through the perspective of a young woman, Chetna. Chetna inherits the gruesome profession—however, the new factor is the presence of a sensationalist television media, which reduces what should have been a moment of crime and pathos to a lurid search for commercial visibility. The chapter allows the book to foreground the questions of injustice and ethics as they interact with the gendered perspective of a subaltern young woman. The notion of subjectivity finds an opening and horizon within these difficult questions of private shame and a determination to make one’s way in a hard and unforgiving world.
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