北方民族的传统歌舞艺术(以埃文人的圆舞为例)

V. Marfusalova, E. Polikarpova, N. G. Nikitina, M. V. Egorova
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摘要

本文认为,传统舞蹈艺术是对民族文化总体观念的补充和拓展的重要历史渊源。人们注意到,民间舞蹈在现代社会中继续存在,点缀着民间节日,为人们的文化生活带来了独特的风味和独创性。歌舞艺术的传统历史上存在于北方人民中,特别是在埃文克人中。它们以各种圆舞的形式呈现,伴随着歌唱和各种舞蹈。传统的伊偶克舞的起源可以追溯到古代,当时舞蹈和舞蹈元素被包括在仪式、节日和游戏中。在埃文人历史的早期阶段,载歌载舞是一种狩猎的哑剧,展现了力量、灵巧、敏捷的智慧和勇气。总的来说,鄂温克舞蹈艺术的词汇基础在内容、特征和表演方式上都不同于雅库特原住民(鄂温克人、尤卡吉尔人、楚科奇人、雅库特人)的传统舞蹈艺术。如今,埃文克人保留了以下几种轮舞:dehvehjdeh、gosugor、dyalikhehr、dyalekhincheh、dyakirde等。在埃文基人的圆舞中,主唱伊克莱恩尤其受欢迎。他是舞蹈的主要发起者,给出唱歌的节奏,即兴创作歌曲的歌词。本文从鄂温族轮舞的现状出发,根据不同的参数对轮舞进行梳理,分析轮舞中的歌曲特点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Traditional song and dance art of the peoples of the North (on the example of round dances of the Evenks)
The article considers the traditional dance art as an important historical source that complements and expands the general idea of the culture of the people. It is noted that folk dances continue to exist in modern society, embellishing folk festivals, bringing a special flavor and originality in the cultural life of the people. The traditions of song and dance art historically exist among the peoples of the North, in particular, among the Evenks. They are presented in the form of various round dances, which are accompanied by singing and its varieties. The origins of the traditional Evenk dances go back to antiquity, when dances and dance elements were included in ceremonies, festivals, games. In the very early stages of the history of the Evenks, dance with singing was a hunting pantomime, in which strength, dexterity, quick ingenuity, courage were revealed. In general, the lexical foundation of Evenk dance art differs in content, character, and manner of performance from the traditional dance art of the aborigines of Yakutia (Evens, Yukagirs, Chukchi, Yakuts). Nowadays, the Evenks have survived the following types of round dance dehvehjdeh, gosugor, dyalikhehr, dyalekhincheh, dyakirde and others. The leading singer - ikehlehn is especially appreciated in the Evenki round dance. He is the main initiator of the dance, gives the rhythm of the singing and improvises the words of the song. The authors of the article consider the current state of the Evenks' round dances, systematize them according to different parameters and analyze the characteristics of songs in round dances.
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