设计动作,调节情绪

Sarah Robinson
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引用次数: 1

摘要

本文通过将认知科学、现象学和心理学领域的研究成果应用于阿尔多·范·埃克、阿尔瓦·阿尔托、罗森·博世、赫尔曼·赫茨伯格、斯蒂恩·艾勒-拉斯穆森和加斯顿·巴舍拉的作品中,阐述了身体形式和情感表达之间的同构是如何在建筑体验中体现出来的。从面部表情的微观运动到更大规模的集体运动和情绪模式,该作品以积极的语言形式理解建筑,作为一种模式力量,能够在个人和社会的互动尺度上调节节奏和共鸣。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Designing Movement, Modulating Mood
Abstract This article illustrates how the isomorphism between bodily form and emotional expression is manifest in architectural experience through applying research findings in the fields of cognitive science, phenomenology, and psychology to practical examples in the work of Aldo van Eyck, Alvar Aalto, Rosan Bosch, Herman Hertzberger, Steen Eiler-Rasmussen, and Gaston Bachelard. Beginning with the micro-scale movement in facial expressions to larger scale patterns of collective movement and mood, this work understands architecture in its activeverbal form, as a patterning force capable of modulating rhythms and resonances at individual and societal scales of interaction.
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