{"title":"美国原住民艺术与美国艺术史:一个世纪的展览","authors":"J. Berlo","doi":"10.4000/PERSPECTIVE.6004","DOIUrl":null,"url":null,"abstract":"The indigenous arts of the United States have long stood in a vexed relationship with the canons of American art history. This brief essay covers only the highlights of this relationship, by considering some major exhibits and installations of Native art in American art museums (and, occasionally, in other exhibition spaces) during the past century. I make these comments as an art historian who has for more than three decades focused on Native American art, with some contributions to others a...","PeriodicalId":231148,"journal":{"name":"Perspective Magazine","volume":"237 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2015-12-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"The art of Indigenous Americans and American art history: a century of exhibitions\",\"authors\":\"J. Berlo\",\"doi\":\"10.4000/PERSPECTIVE.6004\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The indigenous arts of the United States have long stood in a vexed relationship with the canons of American art history. This brief essay covers only the highlights of this relationship, by considering some major exhibits and installations of Native art in American art museums (and, occasionally, in other exhibition spaces) during the past century. I make these comments as an art historian who has for more than three decades focused on Native American art, with some contributions to others a...\",\"PeriodicalId\":231148,\"journal\":{\"name\":\"Perspective Magazine\",\"volume\":\"237 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2015-12-05\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Perspective Magazine\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.4000/PERSPECTIVE.6004\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Perspective Magazine","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4000/PERSPECTIVE.6004","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The art of Indigenous Americans and American art history: a century of exhibitions
The indigenous arts of the United States have long stood in a vexed relationship with the canons of American art history. This brief essay covers only the highlights of this relationship, by considering some major exhibits and installations of Native art in American art museums (and, occasionally, in other exhibition spaces) during the past century. I make these comments as an art historian who has for more than three decades focused on Native American art, with some contributions to others a...