“琴弦空间”:罗马尼亚罗姆音乐家的婚姻、婚礼和身份

Margaret H. Beissinger
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引用次数: 1

摘要

这篇文章通过婚姻和婚礼实践的视角来看待lutari(在罗马尼亚婚礼上表演的专业男性罗姆音乐家)和他们的家人如何自我认同为罗马尼亚化的罗姆人。llurutari采用混合形式的身份,同时借鉴传统的罗马尼亚文化和主流的罗马尼亚文化,因为他们不断地创造和重新创造他们自己的复合感觉“lǎutar空间”。和许多罗姆人一样,lutari保留了传统婚姻的基本规范,婚礼为他们提供了一个展示罗姆文化象征的舞台。然而,llurutari也通过反驳他们认为“落后”的婚姻习俗,援引他们相对-à-vis“其他吉普赛人”的“精英”地位。此外,他们都继承了罗马尼亚的某些婚礼传统,并维持着对罗马尼亚人非罗姆人的基本不信任。尽管在20世纪,llurutar文化发生了重大变化,但年轻的家庭成员正在以前所未有的方式开创自己的“lǎutar空间”形式,往往受到教育机会的推动。本文探讨了如何通过罗马尼亚和罗马尼亚文化的动态融合来培养llocutar身份,以及婚姻和婚礼习俗如何告知这些交叉点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“Lăutar Space”: Marriage, Weddings, and Identity among Romani Musicians in Romania
This article treats, through the lens of marriage and nuptial practices, how lăutari (professional male Romani musicians who perform at Romanian weddings) and their families self-identify as Romanianized Roma. Lăutari assume hybrid forms of identity, drawing on both traditional Romani and mainstream Romanian culture as they perpetually create and recreate their own composite sense of “lǎutar space.” Lăutari, like many Roma, preserve basic norms of traditional matrimony, and weddings provide an arena in which they express emblems of Romani culture. Yet lăutari also invoke their “elite” status vis-à-vis “other Gypsies” by refuting what they view as “backward” marital praxes. Moreover, they both appropriate certain Romanian nuptial traditions as well as sustain a basic distrust of Romanians as non-Roma. While lăutar culture has evolved significantly over the twentieth century, younger family members are carving out their own shifting forms of “lǎutar space” in unprecedented ways, often fueled by educational opportunities. This article examines how lăutar identity is nurtured through a dynamic merging of Romani and Romanian cultures and how marriage and wedding practices inform these intersections.
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