论情爱责任

Melissa E. Sanchez
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引用次数: 0

摘要

这一章着重于从不忠情人的角度写的歌词。慈善、宽恕和忏悔的神学概念可以为世俗的性爱责任讨论提供信息:我们对我们所爱的人和爱我们的人欠了什么。通过理解朱迪思·巴特勒阐释的责任和叙述的双重意义上的责任,本章考虑了审美创造——努力讲述一个关于自我及其欲望的连贯故事——是如何构成一种无法实现的伦理义务的。约翰·多恩的虔诚和放荡的诗歌,就像他之前的奥古斯丁、路德和加尔文的作品一样,代表了忏悔,不是米歇尔·福柯所说的一种真理的行为,而是一种对潜在罪恶的想象性承认。多恩对物质和精神纠缠的关注抵制了浪漫和理性的理想,而浪漫和理性通常被认为是“人类”性行为的标志特征;相反,他从一个被内外势力拉拢的人的角度来写作。与直觉相反,当多恩为滥交、无常和不纯洁的亲密关系辩护时,他是最虔诚的。因为多恩的演讲者追求的是一种不加区分的欲望,这是一种对神圣宽恕和博爱的世俗近似,对不完美的生物的武断而慷慨的爱,而不考虑其优点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
On Erotic Accountability
This chapter focuses on lyrics written from the point of view of the unfaithful lover. Theological concepts of charity, forgiveness, and confession can inform secular discussions of erotic accountability: what we owe those we love and those who love us. Understanding accountability in the dual senses of responsibility and narration illuminated by Judith Butler, this chapter considers how aesthetic creation—the struggle to tell a coherent story of the self and its desires—constitutes an unattainable ethical obligation. The devotional and libertine poetry of John Donne, like the writings of Augustine, Luther, and Calvin before him, represents confession not as what Michel Foucault called an act of truth, but as an imaginative acknowledgment of guilt in potentia. Donne’s attention to the entanglement of matter and spirit resists the ideals of romance and rationality that have often been deemed the signal characteristics of “human” sexuality; instead, he writes from the perspective of a being coopted by foreign forces within and without. Counterintuitively, Donne is at his most religious when he defends promiscuous, impermanent, and impure intimacies. For the indiscriminate desire that Donne’s speakers pursue is a secular approximation of divine forgiveness and caritas, the arbitrary yet generous love for imperfect creatures regardless of merit.
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