东南亚文化文物的再生产:以Mah Meri为例

Cheok Heng Pang, H. Thwaites, Muhammad Asyraf Mhd Pauzi, C. Khong, F. Noor, Muhammad Adhwa' M. D. H. Zainalee
{"title":"东南亚文化文物的再生产:以Mah Meri为例","authors":"Cheok Heng Pang, H. Thwaites, Muhammad Asyraf Mhd Pauzi, C. Khong, F. Noor, Muhammad Adhwa' M. D. H. Zainalee","doi":"10.1109/VSMM.2014.7136660","DOIUrl":null,"url":null,"abstract":"Priceless cultural heritage artefacts are gradually being lost due to negligence or the natural processes of deterioration and decay. As a modern means of preservation, three dimensional (3D) scanned replicas of cultural heritage artefacts are often reconstructed for research or for viewing by the public while the original is properly stored and curated. This paper describes the reproduction processes involved using a colour scanner and a colour 3D printer. The subject matter is based on the moribund cultural heritage of the Mah Meri tribe where its artefacts were fully scanned in 3D. The digitisation of its form, colour and texture followed by the physical reproduction of the Mah Meri heritage is the first of such activity in the nation.","PeriodicalId":170661,"journal":{"name":"2014 International Conference on Virtual Systems & Multimedia (VSMM)","volume":"202 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2014-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"3","resultStr":"{\"title\":\"Reproduction of South-East Asian cultural artefacts: A case of the Mah Meri\",\"authors\":\"Cheok Heng Pang, H. Thwaites, Muhammad Asyraf Mhd Pauzi, C. Khong, F. Noor, Muhammad Adhwa' M. D. H. Zainalee\",\"doi\":\"10.1109/VSMM.2014.7136660\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Priceless cultural heritage artefacts are gradually being lost due to negligence or the natural processes of deterioration and decay. As a modern means of preservation, three dimensional (3D) scanned replicas of cultural heritage artefacts are often reconstructed for research or for viewing by the public while the original is properly stored and curated. This paper describes the reproduction processes involved using a colour scanner and a colour 3D printer. The subject matter is based on the moribund cultural heritage of the Mah Meri tribe where its artefacts were fully scanned in 3D. The digitisation of its form, colour and texture followed by the physical reproduction of the Mah Meri heritage is the first of such activity in the nation.\",\"PeriodicalId\":170661,\"journal\":{\"name\":\"2014 International Conference on Virtual Systems & Multimedia (VSMM)\",\"volume\":\"202 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2014-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"3\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"2014 International Conference on Virtual Systems & Multimedia (VSMM)\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1109/VSMM.2014.7136660\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"2014 International Conference on Virtual Systems & Multimedia (VSMM)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1109/VSMM.2014.7136660","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 3

摘要

无价的文化遗产正因疏忽或自然的变质和腐烂过程而逐渐丢失。作为一种现代保存手段,文物的三维扫描复制品经常被重建以供研究或供公众观看,而原件则被妥善保存和策展。本文描述了使用彩色扫描仪和彩色3D打印机的复制过程。主题是基于Mah Meri部落垂死的文化遗产,其人工制品在3D中被完全扫描。将其形状、颜色和纹理数字化,然后对玛梅里遗产进行实物复制,这是该国首次开展此类活动。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Reproduction of South-East Asian cultural artefacts: A case of the Mah Meri
Priceless cultural heritage artefacts are gradually being lost due to negligence or the natural processes of deterioration and decay. As a modern means of preservation, three dimensional (3D) scanned replicas of cultural heritage artefacts are often reconstructed for research or for viewing by the public while the original is properly stored and curated. This paper describes the reproduction processes involved using a colour scanner and a colour 3D printer. The subject matter is based on the moribund cultural heritage of the Mah Meri tribe where its artefacts were fully scanned in 3D. The digitisation of its form, colour and texture followed by the physical reproduction of the Mah Meri heritage is the first of such activity in the nation.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信