人,机械,以及两者之间的空间:人-机器人音乐即兴创作的探索

S. Barton
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引用次数: 6

摘要

HARMI(人类和机器人音乐即兴创作)是一个软件和硬件系统,使音乐机器人能够与人类表演者即兴创作。该系统的目标不是复制人类音乐家,而是探索机器可以产生的新型音乐表达。与此同时,该系统寻求创造人类和机器人可以用共同语言相互交流的空间。为了实现前者,来自当代作曲实践和音乐理论的想法被用来塑造系统的表达能力。对于后者,来自认知心理学领域的研究被纳入其中,以实现人类和机器人表演者之间的交流、互动和理解。该系统部分是与伊利诺斯州芝加哥高概念实验室的驻地合作开发的,在那里,一群人类即兴表演者使用机器人乐器进行表演。该系统代表了一种解决人类和机器人如何在音乐环境中互动和即兴创作的方法。这种方法旨在突出人类独特的表达空间,机器独特的表达空间,以及两者之间的共享空间。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Human, the Mechanical, and the Spaces in Between: Explorations in Human-Robotic Musical Improvisation
HARMI (Human and Robotic Musical Improvisation) is a software and hardware system that enables musical robots to improvise with human performers. The goal of the system is not to replicate human musicians, but rather to explore the novel kinds of musical expression that machines can produce. At the same time, the system seeks to create spaces where humans and robots can communicate with each other in a common language. To help achieve the former, ideas from contemporary compositional practice and music theory were used to shape the system’s expressive capabilities. In regard to the latter, research from the field of cognitive psychology was incorporated to enable communication, interaction, and understanding between human and robotic performers. The system was partly developed in conjunction with a residency at High Concept Laboratories in Chicago, IL, where a group of human improvisers performed with the robotic instruments. The system represents an approach to the question of how humans and robots can interact and improvise in musical contexts. This approach purports to highlight the unique expressive spaces of humans, the unique expressive spaces of machines, and the shared spaces between the two.
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