外国题材讽刺

Meredith McNeill Hale
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引用次数: 0

摘要

这一章考察了德胡厄关于威廉三世入侵英格兰及其相关外交和军事行动的十八篇讽刺作品中的七篇。这些讽刺作品创作于1688年秋至1690年夏,随着光荣革命的发展,它们不仅代表了重要的政治历史事件,也代表了德胡厄讽刺策略的发展。威廉三世的特点是冷静而勇敢的新教捍卫者,反对天主教国王詹姆斯二世和路易十四,他们是一个黑色喜剧二人组,一个原始宗教的误入歧途的信徒,只致力于自己的扩张。本文探讨了外国讽刺作品的形象学,首次提供了详细的解释性分析和许多文本的英文翻译。我们将证明,德胡厄几乎是立即对构成光荣革命的事件的迅速展开作出反应,强调有必要从它们产生的速度和它们的系列性质来考虑它们。通常可以确定讽刺作品创作的月份,在某些情况下,时间范围可以缩小到几周。在一个特定的历史时刻,这种戏剧性的重叠是今天政治讽刺的特征。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Satires on Foreign Subjects
This chapter examines seven of De Hooghe’s eighteen satires on the events surrounding William III’s invasion of England and associated diplomatic and military campaigns. These satires, which were produced between the autumn of 1688 and summer of 1690, followed the events of the Glorious Revolution as they unfolded and represent not only key political-historical events but also the development of De Hooghe’s satirical strategies. William III is featured as the sober and valiant defender of Protestantism against the Catholic kings, James II and Louis XIV, who appear as a darkly comic duo, misguided adherents of a primitive religion committed only to their own aggrandizement. This discussion examines the iconography of the foreign satires, providing detailed interpretive analysis and translation of many of the texts into English for the first time. It will be demonstrated that De Hooghe responded almost immediately to the rapid unfolding of events that constituted the Glorious Revolution, highlighting the need to consider them in terms of the speed with which they were produced and their serial nature. It is often possible to determine the month in which a satire was made and, in certain cases, the timeframe can be narrowed to weeks. This dramatic imbrication in a particular historical moment is characteristic of political satire to this day.
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