南极洲:白色地狱。一种来自文学的方法。

S. Astorga
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引用次数: 0

摘要

关于未知领域的文学小说可以追溯到古代,因为地图上的这些空白空间一直是古代恐惧和欲望的灵感和投射的来源。南极洲是地球上最后一块被发现的领土,直到1819年人类才踏足那里。因此,在现代文学中,对未知的南方探险有着丰富的传统,混合了巨大的冒险,恐怖和预兆。在本文中,我分析五个文本的白色大陆之旅被想像为一个catabasis-travel地狱也是一种挑衅(狂妄自大)普遍秩序:“古代水手的霜”(1798年)由圣柯勒律治的叙事AG宾(1838)由EA坡,狮身人面像的冰原j·凡尔纳(1897),在山上的疯狂(1936)惠普Lovecraft和南极洲的征服者(1945)智利f .路环岛。对这些作品的比较阅读表明,结构和象征性的重复解释了一个关键的关键:野性自然对人类记录的力量以及征服和统治精神可能导致的灾难。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Antártida: Infierno blanco. Una aproximación desde la literatura.
Literary fictions about unknown territories date back to antiquity, being that these empty spaces on the maps have been a source of inspiration and projection of archaic fears and desires. Antarctica was the last territory to be discovered on Earth since it was not until 1819 that human biengs set foot there. Therefore, in modern literature, the expedition to the unknown south has a rich tradition, mixing great adventures, horrors, and omens. In this article, I analyze five texts in which the journey to the white continent is imagined as a catabasis—travel to hell—as well as a provocation (hybris) to universal order: “The Rime of the Ancient Mariner” (1798) by ST Coleridge, The Narrative of AG Pym (1838) by EA Poe, The Sphinx of the Ice Fields by J. Verne (1897), At the Mountains of Madness (1936) by HP Lovecraft, and The Conquerors of Antarctica (1945) by the Chilean F. Coloane. A comparative reading of these works shows structural and symbolic repetitions that account for a critical key: the power of wild nature over the human record and the catastrophe to which the spirit of conquest and domination can lead.
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