计算机图形学,我们是在强迫人类进化吗?

R. E. Wilson, B. Laurel, Terence McKenna, L. Shlain
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摘要

计算机图形工业正在以一种巨大而基本的方式改变我们的世界,从一个以“书面文字”交流为主要方式的世界,进入一个“图像”交流的新时代。这种与图像交流的能力正在改变人们思考的方式和内容。有一个概念模型认为,你思考的语言,限制了你可以思考的想法。如果你接受使用图像的话语是一种语言的观点;然后你可能会开始欣赏我们文化的变化,因为大量的人越来越多地使用图像来表达自己。人类最后一次用图形交流(以任何主要方式)是在几千年前。我们有共同的、没有等级制度的“伙伴关系”文化。你通过手势、表情、气味和绘画/图片进行交流。随着书面文字取代图像成为一种“存储”的交流方式;我们的思维方式,我们可以思考的想法,都改变了。我们发展成为“支配者”文化,拥有“左脑”、连续、线性、书面的沟通方式。你可以说我们的思想变得一边倒了。有些文化仍然保留了使用手势进行对话;但随着我们大部分的交流变成了文字,我们逐渐失去了用图像表达自己的能力。有一些人保留了这种能力,他们被称为艺术家(现在我们称他们为图形艺术家,有时甚至是计算机图形艺术家)。这就提出了一个问题,因为生活不是一条线性的窄线,它是一条宽而不断舒展的纱线,有很多质感,一股股线飞进飞出;完形。今天,有了电视、电影、CD-ROM,现在还有网络上的图像,我们被越来越多的书面和图形数据轰炸。然而,在书面文字中,我们既没有有效的方法来处理它,也没有有限的方法来表达我们研究数据后得出的任何结论。我们使用的书面文字实际上是一种协议,假设我们在讨论同一件事。如果我说“想象一个苹果”,你点头同意,然后我们继续讨论;但是你看到的不是我想的那个苹果。现在,如果我给你看一张亮红色的“史密斯奶奶”的照片……
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Computer graphics, are we forcing people to evolve?
computer graphics industry is changing our world in a massive and basic way, moving from a world in which " written word " communication is our primary method, into a new era of " imagery " communication. This ability to communicate with images is changing how and what people are capable of thinking. There is a conceptual model that says that the language you think in, limits the very ideas that you can think. If you accept the idea that discourse using images is a language; then you may begin to appreciate the change to our culture as large numbers of people increasingly use images to express themselves. The last time humans communicated graphically (in any major way) was many thousands of years ago. We had communal, non-hierarchical, " partnership " cultures. You communicated with gestures, expressions, smells, and drawings/pictures. As the written word supplanted images as a " stored " method of communicating; our mode of thinking, the very ideas we could think, changed. We developed into " dominator " cultures with a " left-brain " , serial, linear, written-word style of communicating. You could say we had become one-sided in our thinking. Some cultures still retained the use of gestures for dialogue; but as the bulk of our communications became written, we gradually lost the ability to express ourselves with images. There have been a few people who retained that ability, they were called artists (nowadays we call them graphic artists, and sometimes even computer graphic artists.) This raised a problem, because life is not a linear narrow line, it is a wide and constantly unraveling yarn with much texture, strands flying in and out; a gestalt. Today, with television, movies, CD-ROM, and now images over the network, we are bombarded with ever increasing amounts of data both written and graphic. Yet , in the written word, we have both an ineffectual method of processing it, and a limited method of expressing whatever conclusions we come up with after studying the data. The written word that we use is really an agreement to assume that we are discussing the same thing. If I say " picture an apple " , you nod your head yes and we continue the discussion; BUT you were not seeing the same apple that I was thinking about. Now if I show you a picture of a bright red " Granny Smith " …
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