我们写的是:“身体有缺陷”。马里奥的诗性躯体学martin gijon

Ewa Śmiłek
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引用次数: 1

摘要

:身体,虽然没有以直接的方式呈现,但连接了Rendicción(2013)的两个主题,马里奥的诗歌第二卷Martín Gijón。基于jos Enrique Finol的理论(在作品La corposfera中提出)。Antropo-semiótica de las cartografías del cuerpo, 2015),我对Martín Gijón诗歌中如何描绘肉体进行了分析。在上述诗集中,身体不仅获得了客体的地位(与爱情和情色主题联系在一起),而且还成为艺术活动的辅助工具。这样,诗就被具体化了(梅洛-庞蒂,1993),词是一个有生命的身体,拥有它所有的创造力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Amoscritura: «cuerpos atrabesados». Somatología poética de Mario Martín Gijón
: The body, although not presented in a direct way, connects the two main themes of Rendicción (2013), the second volume of poetry by Mario Martín Gijón. Based on the theory of José Enrique Finol (presented in the work La corposfera. Antropo-semiótica de las cartografías del cuerpo , 2015), I carry out an analysis of how the corporeality is depicted in the poetry of Martín Gijón. In the said poetry book, the body has not only obtained the status of the object (linked to the themes of love and eroticism), it has also become an assistance of the artistic activ -ity. In this way, the poetry is embodied (Merleau-Ponty, 1993), the word is a living body with all its creative powers.
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