语音合成中听者发声的注释意义

Sathish Pammi, M. Schröder
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引用次数: 24

摘要

听者发声的产生是情感色彩会话语音合成的主要目标之一。这一努力的成功取决于对三个问题的回答:通过听众的发声表达了什么样的意义?什么形式适合于给定的意思?在什么情况下应该产生哪些听者发声?在本文中,我们将解决第一个问题。我们提出了一种记录自然和富有表现力的听者发声的方法,并描述了我们的方法来确定发声中所传达的意义的合适分类描述。在我们的数据中,一名演员以其自然的说话风格和三种表现出特定情感的个性,总共产生967种听众声音。在一个开放的分类方案中,我们发现11个类别出现在至少5%的发声上,并且大多数发声用两个或三个类别来描述比用一个类别更好。此外,根据Buhler的Organon模型,对意义引用的注释允许我们对听者自己的状态、他对对话者的立场以及他对对话主题的态度进行有趣的观察。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Annotating meaning of listener vocalizations for speech synthesis
Generation of listener vocalizations is one of the major objectives of emotionally colored conversational speech synthesis. Success in this endeavor depends on the answers to three questions: What kinds of meaning are expressed through listener vocalizations? What form is suitable for a given meaning? And, in what context should which listener vocalizations be produced? In this paper, we address the first of these questions. We present a method to record natural and expressive listener vocalizations for synthesis, and describe our approach to identify a suitable categorical description of the meaning conveyed in the vocalizations. In our data, one actor produces a total of 967 listener vocalizations, in his natural speaking style and three acted emotion-specific personalities. In an open categorization scheme, we find that eleven categories occur on at least 5% of the vocalizations, and that most vocalizations are better described by two or three categories rather than a single one. Furthermore, an annotation of meaning reference, according to Buhler's Organon model, allows us to make interesting observations regarding the listener's own state, his stance towards the interlocutor, and his attitude towards the topic of the conversation.
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