使用CGI和全息术的混合3D重建文物

A. Osanlou, Shuo Wang, P. Excell
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引用次数: 1

摘要

数字全息图是一种再现和背景化艺术作品的方式,这些作品太有价值或太脆弱,无法被运送到全息成像系统中。原型练习是在中国元代青花瓷工艺品上进行的。这项工作的具体目的是探索数字全息印刷作为一种创新技术,以恢复这些文物及其环境的详细综合印象。他们没有使用专业的全息成像设备,而是拍摄了一系列传统的文物照片,然后用这些照片创建了它们的CGI三维图像。然后使用CGI重现来创建数字全息图,并使用作者研究小组开发的创新打印机进行打印。此外,发现文物的环境只有非常粗略的记录,因此合理的艺术许可被用于创建CGI表示,以创建显示完整考古体验的全息图。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
3D Re-creation of Heritage Artefacts Using a Hybrid of CGI and Holography
Digital holograms are presented as a way to re-present and contextualise works of art that are too valuable or fragile to be transported to, and placed in, a holographic imaging system. The prototype exercise was conducted on Chinese Yuan Dynasty blue-and-white porcelain artefacts. The specific aim of the work was to explore digital holographic printing as an innovative technology to recover detailed comprehensive impressions of such cultural relics and their environment. Instead of the use of specialist holographic imaging devices, a sequence of conventional photographs of the artefacts was taken and these were then used to create CGI three-dimensional images of them. The CGI recreations were then used to create digital holograms which were printed using an innovative printer developed within the authors' research group. Further, the environment in which the artefacts were discovered had only been very sketchily recorded and hence reasonable artistic licence was used to create CGI representations of this to create holograms showing the complete archaeological experience.
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