丽塔·达夫《启示录》歌单中的黑人美学

S. Hanna
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摘要

丽塔·达夫(Rita Dove)是一位具有伟大变革和折衷艺术的著名诗人,对她来说,黑色是一种必须被接受和赞美的美学。本文旨在反思丽塔·达夫(Rita Dove)的《天启歌单》(Playlist for the Apocalypse, 2021)中所描绘的黑人美学;这是一本突破性的书,将黑色呈现为“Ars Poetica”和“X标记点”,这是达夫标志性的十字路口。在这一卷,鸽子提出了一个播放列表的日常和国家的历史在过去的五十年。这本书的标题,虽然承认了音乐播放列表的顺序性,但它保留了“启示录”一词带来的终结性节奏。《天启》的播放列表呈现了“一生之歌”,将达夫对天启的观点戏剧化,将其视为终结和复活,记录在个人的胜利和痛苦中,她的故事与历史的宏大弧线相遇。关键词:黑人美学,历史的大弧线,音乐,发声,编曲,记忆,种族,愤怒,顺从,疾病,死亡,复活
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Black Aesthetic in Rita Dove’s Playlist for the Apocalypse
To Rita Dove, a renowned poet of great transformations and eclectic artistry, blackness is an aesthetic that must be embraced and celebrated. It is the project of this paper to reflect on the black aesthetic depicted in Rita Dove’s Playlist for the Apocalypse (2021); a breakthrough volume presenting blackness as an “Ars Poetica” an “X marks the spot” leading to Dove’s signature crossing. In this volume, Dove presents a playlist of the everyday and of the nation's history over the past fifty years. The title of the volume, while acknowledging the sequential playfulness of a music playlist, it maintains a cadence of finality brought about by the word “apocalypse.” Playlist for the Apocalypse presents “a lifetime of song” dramatizing Dove’s view of the idea of the apocalypse as both end and resurrection recorded in personal triumphs and pains as her stories meet with the grand arc of history. Keywords: Black aesthetic, grand arc of history, music, vocalization, orchestration, memory, race, anger, resignation, disease, death, resurrection
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