5. 紧张的爆发在Driss Chraïbi的Le passpasse简单

Hoda El Shakry
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摘要

第五章分析了Driss Chraïbi(1926-2007)在1954年创作的备受争议的小说《简单的过去》,小说描写了19岁的Driss Ferdi反抗他看似虔诚而富有的父亲Haj Ferdi的故事。人们认为这部小说是对摩洛哥文化的东方主义描绘,是对伊斯兰教的异端攻击,这导致了长达数十年的争议,被称为“l 'affaire Chraïbi”,政府也在1977年之前禁止了这部小说。这部小说对殖民主义和民族主义的目的论进行了双重批判,这种张力在与《古兰经》的接触中最为明显。这一章研究了小说对受保护国摩洛哥的家谱历史铭文的叠瓦式模式的批判:法国帝国对公民社会和摩洛哥君主制的论述,以及哈吉·费迪与先知穆罕默德的关系。它认为Chraïbi在反复出现的la ligne mince(细线)形象中提供了另一种伦理代理模式:一个带有古兰经和苏菲派价值的幻觉幽灵,在整部小说中萦绕着叙述者。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
5. Tense Eruptions in Driss Chraïbi’s Le passé simple
Chapter 5 analyzes Driss Chraïbi’s (1926–2007) controversial 1954 novel Le passé simple [the Simple Past], which traces the rebellion of nineteen-year-old Driss Ferdi against his seemingly pious wealthy father Haj Ferdi. Readings of the novel as an orientalist portrayal of Moroccan culture and a heretical attack on Islam resulted in a decades-long controversy known as l’affaire Chraïbi, as well as a government ban until 1977. The novel stages a double-critique against colonial and nationalist teleologies—a tension that emerges most explicitly in its engagement with the Qurʾan. The chapter investigates the novel’s critique of imbricated modes of genealogical historical inscription under Protectorate Morocco: French imperial discourses of civil society and the Moroccan monarchy’s, and Hajj Ferdi’s, filiation with the Prophet Muhammad. It argues that Chraïbi offers an alternative mode of ethical agency in the recurring image of la ligne mince [the thin line]: a hallucinatory apparition with Qurʾanic and Sufi valences that haunts the narrator throughout the novel.
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