在大西洋两岸之间

E. Volkova
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引用次数: 0

摘要

不断发展的加利西亚文化研究领域已经迅速走出了学术研究的边缘。这一领域的最新发展是以全球化的影响为标志的,它的范围扩大到包括以前被认为是文化研究的“边缘”领域,如视觉艺术。受这些趋势的影响,本文主要关注两位当代加利西亚视觉艺术家,他们都是国际知名的雕塑家Francisco Leiro和画家Antonio Murado。他们都是杰出的加利西亚艺术家,他们的创造力来源与他们的加利西亚根源有关。目前,他们都在纽约工作,纽约是全球舞台上最重要的当代艺术中心之一。本文讨论了莱罗和穆拉多的作品,作为大西洋两岸跨文化联系的一个例子。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Between Two Sides of the Atlantic
The growing field of Galician cultural studies has been moving rapidly out of the periphery of academic scholarship. The latest developments in this field have been marked by the effects of globalization and the expansion of its scope to include areas previously considered as a ‘periphery’ of cultural studies, such as visual arts. Influenced by these tendencies, this paper focuses on two contemporary Galician visual artists, both internationally acclaimed, sculptor Francisco Leiro and painter Antonio Murado. They are both prominent Galician artists whose sources of creative power are linked to their Galician roots. Currently they are both based in New York, one of the most important centres of contemporary art in the global stage. This essay discusses Leiro and Murado’s oeuvre as an example of the cross-cultural connections between the two sides of the Atlantic.
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