《城市与狗:戏剧与电影的比较研究》

REVISTA MUCIN Pub Date : 2023-02-01 DOI:10.59333/mucin.e4.1
Hélia da Silva Alves Cardoso
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引用次数: 0

摘要

这部作品试图对文学和电影进行比较,表明两者必须走在一起,协调一致,如秘鲁作家马里奥·巴尔加斯·略萨(Mario Vargas Llosa)的分析作品《城市与狗》(1973)和弗朗西斯科·约瑟·隆巴迪(Francisco jossore Lombardi)的同名电影。在作品中,作者将读者带入一个完全不同的世界:军事生活的经历,多年后,电影制作人在电影中展示了秘鲁利马莱昂西奥普拉多军事学院内学员的生活。一个严厉的制度,通常是由父母自己强加给他们的,把他们的儿子变成男人,而不是“同性恋”。这部作品以倒叙的形式呈现,由学员和一个旁观者叙述者叙述。把文学作品带到电影院是一个巨大的挑战,因为它必须遵循主题的方式,如果电影没有按照原著出来,它会受到评论家的严厉批评,也会受到读者和观众的严厉批评,这部电影可以被认为是电影的失败。以下作者将被分析为理论方法:本杰明(1987),坎迪多(2000),卡诺(2007),库拉多(2007),以及其他用于发展和结论的作者。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
La ciudad y los perros: un estudio comparado entre la obra escrita y la película
This work tries to make a comparison between Literature and Cinema, showing that the two must walk together, in consonance, having as analyzed work The City and the Dogs (1973) by the Peruvian writer Mario Vargas Llosa and the homonymous film by Francisco José Lombardi. In the work the writer takes the reader to a totally different world: the experience of military life, years later the filmmaker shows in the film the confirmation of how was the life of the cadets inside the Leoncio Prado Military College in Lima – Peru. A severe regime, often imposed by the parents themselves to turn their sons into men and not «faggots». The work is in flashback, being narrated by the cadets and by an observer narrator. To take a literary work to the cinema is a great challenge, because it must follow the thematic approached, if the film does not come out according to the original work, it suffers severe criticism from critics as well as from readers and viewers, the film can be considered as a cinematographic failure. The following authors will be analyzed for the theoretical approach: Benjamin (1987), Candido (2000), Cano (2007), Curado (2007), among others used for the development and conclusion.
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