{"title":"达洛维夫人不去电影院:o fluxo de consciÊncia","authors":"Rosana de Fatima Gelinski","doi":"10.5212/PUBLICATIOHUM.V.18I2.0003","DOIUrl":null,"url":null,"abstract":"This article aims at analyzing how the stream of consciousness literary technique is dealt with in the movie The Hours by Stephen Daldry, taking into account some aspects of Virginia Woolf’s literary work Mrs. Dalloway, which inspired the book and the movie The Hours. It also analyzes different approaches to time and space in both narratives.","PeriodicalId":285770,"journal":{"name":"Publicatio Uepg: Ciencias Humanas, Ciencias Sociais Aplicadas, Linguistica, Letras E Artes","volume":"102 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2010-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"MRS. DALLOWAY NO CINEMA: O FLUXO DE CONSCIÊNCIA\",\"authors\":\"Rosana de Fatima Gelinski\",\"doi\":\"10.5212/PUBLICATIOHUM.V.18I2.0003\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article aims at analyzing how the stream of consciousness literary technique is dealt with in the movie The Hours by Stephen Daldry, taking into account some aspects of Virginia Woolf’s literary work Mrs. Dalloway, which inspired the book and the movie The Hours. It also analyzes different approaches to time and space in both narratives.\",\"PeriodicalId\":285770,\"journal\":{\"name\":\"Publicatio Uepg: Ciencias Humanas, Ciencias Sociais Aplicadas, Linguistica, Letras E Artes\",\"volume\":\"102 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2010-12-20\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Publicatio Uepg: Ciencias Humanas, Ciencias Sociais Aplicadas, Linguistica, Letras E Artes\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5212/PUBLICATIOHUM.V.18I2.0003\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Publicatio Uepg: Ciencias Humanas, Ciencias Sociais Aplicadas, Linguistica, Letras E Artes","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5212/PUBLICATIOHUM.V.18I2.0003","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This article aims at analyzing how the stream of consciousness literary technique is dealt with in the movie The Hours by Stephen Daldry, taking into account some aspects of Virginia Woolf’s literary work Mrs. Dalloway, which inspired the book and the movie The Hours. It also analyzes different approaches to time and space in both narratives.