10亿卢比俱乐部的印度地区电影

Lydia G. Jose
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引用次数: 0

摘要

印度的电影业对他们的观众有独特的影响,与通过不同形式的媒体描绘的各种影响信息相比,这是相当独特的。当观众在看电影时,甚至当他们看到电影海报上的视觉效果在他们的心灵中形成火花时,他们经常会看到感知直接性。因此,在制作电影或制作电影海报时,这种媒介的创造者会仔细考虑使其与观众相关的能力。本文旨在研究马拉雅拉姆电影海报是否在视觉上构建意义,以及它们是否会影响电影的经济成功。这项研究的样本是三张马拉雅拉姆电影海报:Pulimurugan, Kayamkulam Kochunni和Lucifer。本研究的方法论采用了Kress和van Leeuwen的视觉社会符号学方法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Regional Indian Movies in Rs.100 Crore Club
The movie industry in India has a distinctive effect on their audience, which is rather unique when compared to the various influencing kinds of messages that are portrayed through different forms of media. Perceptual immediacy is often viewed in the audiences while they watch a movie or even when a spark is formed in their psyche just by the visuals that they see on a movie poster. And so, while creating a movie or even constructing a movie poster, the ability to make it relevant to the viewers is carefully considered by the creators of this medium. This paper aims to study whether Malayalam movie posters visually construct meaning and whether they can influence the financial success of a film. The sample for this research was three Malayalam movie posters: Pulimurugan, Kayamkulam Kochunni, and Lucifer. The methodological approach for this study was conducted by using Kress and van Leeuwen's visual social semiotic method.
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