{"title":"感伤的全球化","authors":"Yogita Goyal","doi":"10.18574/nyu/9781479829590.003.0002","DOIUrl":null,"url":null,"abstract":"This chapter argues that neo-abolitionism uses sentimentalism to dehistoricize contemporary atrocities, viewing them as revivals of a superseded Atlantic past. Modern slave narratives, explicitly written to abolish modern slavery across the globe (ranging across Sudan, Haiti, and Sierra Leone, promoted by various neo-abolitionist organizations), enshrine the language of sentimentalism as the most effective weapon in the human rights arsenal, defining a global relation between us and them solely as a matter of sentiment. Survivors outline an idyllic childhood, abduction and captivity, a life of servitude, until the moment of humanitarian rescue and a new life in America. Reading Francis Bok’s memoir Escape from Slavery (2003) alongside Dave Eggers’s neoliberal novel What Is the What (2006), I trace how the formal exchanges among subject, author, and amanuensis generate a seemingly new way for Americans to imagine themselves as global citizens, constituting themselves as global via their humanitarian empathy for the African victim of atrocity.","PeriodicalId":239242,"journal":{"name":"Runaway Genres","volume":"25 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-10-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Sentimental Globalism\",\"authors\":\"Yogita Goyal\",\"doi\":\"10.18574/nyu/9781479829590.003.0002\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter argues that neo-abolitionism uses sentimentalism to dehistoricize contemporary atrocities, viewing them as revivals of a superseded Atlantic past. Modern slave narratives, explicitly written to abolish modern slavery across the globe (ranging across Sudan, Haiti, and Sierra Leone, promoted by various neo-abolitionist organizations), enshrine the language of sentimentalism as the most effective weapon in the human rights arsenal, defining a global relation between us and them solely as a matter of sentiment. Survivors outline an idyllic childhood, abduction and captivity, a life of servitude, until the moment of humanitarian rescue and a new life in America. Reading Francis Bok’s memoir Escape from Slavery (2003) alongside Dave Eggers’s neoliberal novel What Is the What (2006), I trace how the formal exchanges among subject, author, and amanuensis generate a seemingly new way for Americans to imagine themselves as global citizens, constituting themselves as global via their humanitarian empathy for the African victim of atrocity.\",\"PeriodicalId\":239242,\"journal\":{\"name\":\"Runaway Genres\",\"volume\":\"25 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-10-29\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Runaway Genres\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.18574/nyu/9781479829590.003.0002\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Runaway Genres","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18574/nyu/9781479829590.003.0002","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This chapter argues that neo-abolitionism uses sentimentalism to dehistoricize contemporary atrocities, viewing them as revivals of a superseded Atlantic past. Modern slave narratives, explicitly written to abolish modern slavery across the globe (ranging across Sudan, Haiti, and Sierra Leone, promoted by various neo-abolitionist organizations), enshrine the language of sentimentalism as the most effective weapon in the human rights arsenal, defining a global relation between us and them solely as a matter of sentiment. Survivors outline an idyllic childhood, abduction and captivity, a life of servitude, until the moment of humanitarian rescue and a new life in America. Reading Francis Bok’s memoir Escape from Slavery (2003) alongside Dave Eggers’s neoliberal novel What Is the What (2006), I trace how the formal exchanges among subject, author, and amanuensis generate a seemingly new way for Americans to imagine themselves as global citizens, constituting themselves as global via their humanitarian empathy for the African victim of atrocity.