{"title":"酷儿剪贴画:小哈丁森的参考笔记本","authors":"Simone Rossi, P. L. Farias","doi":"10.11606/issn.2178-0447.ars.2023.207177","DOIUrl":null,"url":null,"abstract":"This essay sheds light on Brazilian artist Hudinilson Jr.’s Cadernos de referências (c. 1981-2013), a series of dense and layered scrapbooks. Through an analysis of layouts and media, the investigation highlights the extensive design and cultural implications that the practice triggers. The focus lies primarily on formal recurrences and narrative strategies identified on double page spreads, revealing how they condense the artist’s queer poetics. The Cadernos emerge as an everyday practice of exploration of the human body, a space for self-design and cultural resistance, and a tool for questioning the relationship between the exposed body, self-image, and mass media.","PeriodicalId":342741,"journal":{"name":"ARS (São Paulo)","volume":"24 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Queer Scrapscape: Hudinilson Jr.’s Cadernos de referências\",\"authors\":\"Simone Rossi, P. L. Farias\",\"doi\":\"10.11606/issn.2178-0447.ars.2023.207177\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This essay sheds light on Brazilian artist Hudinilson Jr.’s Cadernos de referências (c. 1981-2013), a series of dense and layered scrapbooks. Through an analysis of layouts and media, the investigation highlights the extensive design and cultural implications that the practice triggers. The focus lies primarily on formal recurrences and narrative strategies identified on double page spreads, revealing how they condense the artist’s queer poetics. The Cadernos emerge as an everyday practice of exploration of the human body, a space for self-design and cultural resistance, and a tool for questioning the relationship between the exposed body, self-image, and mass media.\",\"PeriodicalId\":342741,\"journal\":{\"name\":\"ARS (São Paulo)\",\"volume\":\"24 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-04-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ARS (São Paulo)\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.11606/issn.2178-0447.ars.2023.207177\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ARS (São Paulo)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.11606/issn.2178-0447.ars.2023.207177","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
这篇文章揭示了巴西艺术家Hudinilson Jr.的Cadernos de referências (c. 1981-2013),这是一系列密集而分层的剪贴本。通过对布局和媒介的分析,调查突出了实践所引发的广泛的设计和文化含义。展览的重点主要集中在形式的重复和双页传播的叙事策略上,揭示了它们是如何凝聚艺术家的酷儿诗学的。Cadernos的出现是对人体的日常探索,是自我设计和文化抵抗的空间,也是质疑暴露的身体、自我形象和大众媒体之间关系的工具。
Queer Scrapscape: Hudinilson Jr.’s Cadernos de referências
This essay sheds light on Brazilian artist Hudinilson Jr.’s Cadernos de referências (c. 1981-2013), a series of dense and layered scrapbooks. Through an analysis of layouts and media, the investigation highlights the extensive design and cultural implications that the practice triggers. The focus lies primarily on formal recurrences and narrative strategies identified on double page spreads, revealing how they condense the artist’s queer poetics. The Cadernos emerge as an everyday practice of exploration of the human body, a space for self-design and cultural resistance, and a tool for questioning the relationship between the exposed body, self-image, and mass media.