Lukács“红色革命”

E. Leslie
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引用次数: 0

摘要

在对Lukács的自传体和传记体的反思和生活的嵌入之间移动,他的和简要地我的,在历史的时间里,他对文化和形式问题的阅读的持续影响,科学和实践哲学是要反思的。在某些地方,有一种主流的Lukácsian对现代主义的解读,他显然认为这种解读是支离破碎的,令人衰弱的。然而,关于他的作品,尤其是20世纪20年代的作品,留下的痕迹和在较少讨论的领域不断推进的探究路线,有很多可说的:即,法兰克福学派和情境主义思想中对异化和物化的热分析;合成彩色生产,共产党员自我活动。在自我组织和辩证法的名义下观察这种持续的生成,是在今天匈牙利反犹太主义和反共主义的复兴中受到攻击的东西。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Lukács’ Red Revolution
Moving between autobiographical and biographical reflections on Lukács and the embeddedness of lives, his and briefly mine, in historical time, the persistent influence of his readings of culture and questions of form, science and a philosophy of praxis is to be reflected on. There is, in some quarters, a dominant Lukácsian reading of modernism, which he apparently dismisses as fragmentary and debilitating. However, there is much to be said about the ways his writings, especially the ones from the 1920s, leave traces and recurrently propel inquiry lines in less discussed areas: namely, thermal analyses of alienation and reification as picked up in Frankfurt School and Situationist thinking; synthetic color production, and communist self-activity. To observe this persistent generativity in the name of self-organization and dialectics is to value something under attack in the revival of anti-Semitism and anti-Communism in Hungary today.
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