{"title":"流行文化和古怪的批评","authors":"P. Rodkin","doi":"10.31249/hoc/2022.03.03","DOIUrl":null,"url":null,"abstract":"The article deals with quirkiness in popular culture, design and architecture, acting simultaneously as an apology and criticism (quirky-criticism) of normative cultural and communicative practices. As a theoretical approximation to the phenomenon of quirkiness and operationalization of a quirky form, its criteria are distinguished within the framework of the specific structure of a quirky message as the language of modern communication.","PeriodicalId":256945,"journal":{"name":"Herald of Culturology","volume":"155 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"POPULAR CULTURE AND QUIRKY CRITICISM\",\"authors\":\"P. Rodkin\",\"doi\":\"10.31249/hoc/2022.03.03\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article deals with quirkiness in popular culture, design and architecture, acting simultaneously as an apology and criticism (quirky-criticism) of normative cultural and communicative practices. As a theoretical approximation to the phenomenon of quirkiness and operationalization of a quirky form, its criteria are distinguished within the framework of the specific structure of a quirky message as the language of modern communication.\",\"PeriodicalId\":256945,\"journal\":{\"name\":\"Herald of Culturology\",\"volume\":\"155 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Herald of Culturology\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.31249/hoc/2022.03.03\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Herald of Culturology","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31249/hoc/2022.03.03","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The article deals with quirkiness in popular culture, design and architecture, acting simultaneously as an apology and criticism (quirky-criticism) of normative cultural and communicative practices. As a theoretical approximation to the phenomenon of quirkiness and operationalization of a quirky form, its criteria are distinguished within the framework of the specific structure of a quirky message as the language of modern communication.
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