一个非洲悲观主义者,对历史的反学科的反驳,它的人性,它的反黑人

David A. Ponton
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引用次数: 0

摘要

摘要:来自不同学科背景的学者一直批评历史将自身视为基于经验主义、作为世俗主义神正论的功能以及对人文主义的承诺。同时,黑人研究揭示了人类是一种伪装成纯粹本体论事实的社会政治建构。然而,历史学家们仍然把小说当作事实,封锁了叙述人类的方式,需要回避对现代世界中反黑人的普遍存在和持久性的充分认识。事实上,这篇文章认为,这是历史未阐明的功能,在这里被视为一种纪律或约束,历史学家可以思考和记录什么,因为他们以叙事的形式为混乱带来秩序。反对经验主义和人道主义强迫解释痛苦,而不是忍受它的无意义,这篇文章提出了一种反学科的拥抱。通过非洲悲观主义转变视角,采用批判性虚构等方法,并通过跨学科借用,自传和明确的移情来发明过去,本文展示了反学科方法对历史调查的影响。它涉及到与1967年休斯顿警察局对德克萨斯南方大学学生的袭击有关的历史编纂和档案,这样做暴露了历史编纂的不连贯性,它谈到了反黑人世界的和平,它依赖于人类作为存在的简单事实的本体论确定性,以及随之而来的代码,特别是线性时间,性别主体性和代理。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
An Afropessimist, Antidisciplinary Rejoinder to History, Its Human, and Its Anti-Blackness
Abstract:Scholars from a range of disciplinary backgrounds have been critical of history's vision of itself as grounded in empiricism, its function as a secularist theodicy, and its commitment to humanism. Meanwhile, Black studies has exposed the Human as a sociopolitical construction masquerading as mere ontological fact. Yet historians remain committed to the fiction as if it were fact, occluding the ways that narrating the Human requires evading full recognition of the ubiquity and permanence of anti-Blackness in the modern world. Indeed, this article argues, this is the unstated function of history, conceived here as a discipline, or constraint, on what it is possible for historians to think and register as significant as they bring order to chaos in the form of narrative. Against empiricism and the humanist compulsion to explain suffering rather than abide in its meaninglessness, this article suggests an embrace of antidisciplinarity. By shifting perspective through Afropessimism, embracing methods such as critical fabulation, and inventing the past through cross-disciplinary borrowing, autobiography, and explicit empathy, the article demonstrates the implications of an antidisciplinary approach to historical inquiry. It engages the historiography and archives related to the Houston Police Department's attack on Texas Southern University students in 1967 and in doing so exposes the incoherence of historiography that speaks of peace in an anti-Black world and that relies on an ontological certainty of the Human as a simple fact of existence, alongside its attendant codes, specifically those of linear time, gender subjectivity, and agency.
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