{"title":"浮点σ - δ D/A转换","authors":"J. Kontro, B. Zeng, Y. Neuvo","doi":"10.1109/ASPAA.1991.634128","DOIUrl":null,"url":null,"abstract":"Digital audio has rapidly replaced andog audio ining the demand for high-quality analog-tcwdigital (A/D) and digital-to-analog (D/A) converters. The pmformance of conventional Nyquist rate PCM converters is limited by the need of a high-order analog anti-aliasing filter, a reconstruction filter and a sample-and-hold amplifier. These limitations CM be eliminated and better performance can be achieved by using oversampled sigmadelta (SA) converters which convert the signal to a high-frequency one-bit streem. S A converters utilize a noise shaping feature in which quantization errors are shaped to high fiequencies and removed with a digital lowpass filter [1]-131. Fkently, oversampled CA converters have emerged in numerous digital audio equipments, such as CD and DAT players. Currently high quality audio converters are based on uniform, fixed-point quantization scheme, its the dynamic range and the signal-to-noise ratio (SNR) depend on the conversion accuracy. The SNX depends also on the signal level; hence it decreases with low signal levels. Unifonn quantization is suitable for signals which distribute evenly in the converter amplitude range. Music signals do not however have a uniform distribution and therefore new quantization schemes are desired if a better SNR behavior is wanted. Better performance can be obtained if the quantization level are spread approximately logarithmically. This can be irchieved by using compending converters or floating-point converters. Examples of non-uniform quantizers are found in PCM telephones, and NICAM [4]-[5] and DIGICIPHERTM [SI television sound systems. In recent years, the use of floating-point arithmetic in digital signal processing (DSP) has rapidly i n c r e a d due to the development of fast and low-cost floating-point signal processors. Since the algorithms are based on floating-point arithmetic, a need for floating-point converters has arisen. Eventually even such functions as volume control are likely to be implemented in digital form requiring a larger dynamic range for the D/A converter than is today commonly used. Even there are some difficulties in implementing Nyquist rate floating-point converters, they have beein studied extensively [A, [SI. In this paper, we discuss the design and implementation aspects of oversempled C A D/A conversion based on a full floating-point number system.","PeriodicalId":146017,"journal":{"name":"Final Program and Paper Summaries 1991 IEEE ASSP Workshop on Applications of Signal Processing to Audio and Acoustics","volume":"46 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"On Floaking-Point Sigma-Delta D/A Conversion\",\"authors\":\"J. Kontro, B. Zeng, Y. Neuvo\",\"doi\":\"10.1109/ASPAA.1991.634128\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Digital audio has rapidly replaced andog audio ining the demand for high-quality analog-tcwdigital (A/D) and digital-to-analog (D/A) converters. The pmformance of conventional Nyquist rate PCM converters is limited by the need of a high-order analog anti-aliasing filter, a reconstruction filter and a sample-and-hold amplifier. These limitations CM be eliminated and better performance can be achieved by using oversampled sigmadelta (SA) converters which convert the signal to a high-frequency one-bit streem. S A converters utilize a noise shaping feature in which quantization errors are shaped to high fiequencies and removed with a digital lowpass filter [1]-131. Fkently, oversampled CA converters have emerged in numerous digital audio equipments, such as CD and DAT players. Currently high quality audio converters are based on uniform, fixed-point quantization scheme, its the dynamic range and the signal-to-noise ratio (SNR) depend on the conversion accuracy. The SNX depends also on the signal level; hence it decreases with low signal levels. Unifonn quantization is suitable for signals which distribute evenly in the converter amplitude range. Music signals do not however have a uniform distribution and therefore new quantization schemes are desired if a better SNR behavior is wanted. Better performance can be obtained if the quantization level are spread approximately logarithmically. This can be irchieved by using compending converters or floating-point converters. Examples of non-uniform quantizers are found in PCM telephones, and NICAM [4]-[5] and DIGICIPHERTM [SI television sound systems. In recent years, the use of floating-point arithmetic in digital signal processing (DSP) has rapidly i n c r e a d due to the development of fast and low-cost floating-point signal processors. Since the algorithms are based on floating-point arithmetic, a need for floating-point converters has arisen. Eventually even such functions as volume control are likely to be implemented in digital form requiring a larger dynamic range for the D/A converter than is today commonly used. Even there are some difficulties in implementing Nyquist rate floating-point converters, they have beein studied extensively [A, [SI. In this paper, we discuss the design and implementation aspects of oversempled C A D/A conversion based on a full floating-point number system.\",\"PeriodicalId\":146017,\"journal\":{\"name\":\"Final Program and Paper Summaries 1991 IEEE ASSP Workshop on Applications of Signal Processing to Audio and Acoustics\",\"volume\":\"46 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Final Program and Paper Summaries 1991 IEEE ASSP Workshop on Applications of Signal Processing to Audio and Acoustics\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1109/ASPAA.1991.634128\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Final Program and Paper Summaries 1991 IEEE ASSP Workshop on Applications of Signal Processing to Audio and Acoustics","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1109/ASPAA.1991.634128","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
摘要
由于对高质量模数转换器(A/D)和数模转换器(D/A)的需求,数字音频已经迅速取代了普通音频。传统奈奎斯特速率PCM变换器的性能受到高阶模拟抗混叠滤波器、重构滤波器和采样保持放大器的限制。通过使用过采样信号(SA)转换器将信号转换为高频1位流,可以消除这些限制并获得更好的性能。S A转换器利用噪声整形特性,将量化误差塑造为高频,并通过数字低通滤波器去除[1]-131。近年来,过采样CA转换器已经出现在许多数字音频设备中,如CD和DAT播放器。目前高质量的音频转换器都是基于均匀的定点量化方案,其动态范围和信噪比取决于转换精度。SNX也取决于信号电平;因此它随着低信号电平而减小。均匀量化适用于在变换器幅度范围内均匀分布的信号。然而,音乐信号不具有均匀分布,因此,如果需要更好的信噪比行为,则需要新的量化方案。如果量化水平近似对数扩展,则可以获得更好的性能。这可以通过使用补偿转换器或浮点转换器来实现。非均匀量化器的例子见于PCM电话、NICAM[4]-[5]和DIGICIPHERTM [SI电视音响系统]。近年来,由于快速、低成本的浮点信号处理器的发展,浮点运算在数字信号处理(DSP)中的应用得到了迅速的发展。由于这些算法是基于浮点运算的,因此出现了对浮点转换器的需求。最终,甚至像音量控制这样的功能也可能以数字形式实现,需要比目前常用的D/ a转换器更大的动态范围。尽管在实现奈奎斯特率浮点转换器时存在一些困难,但它们已被广泛研究[A, [SI]。本文讨论了基于全浮点数系统的过采样C - A - D/A转换的设计与实现。
Digital audio has rapidly replaced andog audio ining the demand for high-quality analog-tcwdigital (A/D) and digital-to-analog (D/A) converters. The pmformance of conventional Nyquist rate PCM converters is limited by the need of a high-order analog anti-aliasing filter, a reconstruction filter and a sample-and-hold amplifier. These limitations CM be eliminated and better performance can be achieved by using oversampled sigmadelta (SA) converters which convert the signal to a high-frequency one-bit streem. S A converters utilize a noise shaping feature in which quantization errors are shaped to high fiequencies and removed with a digital lowpass filter [1]-131. Fkently, oversampled CA converters have emerged in numerous digital audio equipments, such as CD and DAT players. Currently high quality audio converters are based on uniform, fixed-point quantization scheme, its the dynamic range and the signal-to-noise ratio (SNR) depend on the conversion accuracy. The SNX depends also on the signal level; hence it decreases with low signal levels. Unifonn quantization is suitable for signals which distribute evenly in the converter amplitude range. Music signals do not however have a uniform distribution and therefore new quantization schemes are desired if a better SNR behavior is wanted. Better performance can be obtained if the quantization level are spread approximately logarithmically. This can be irchieved by using compending converters or floating-point converters. Examples of non-uniform quantizers are found in PCM telephones, and NICAM [4]-[5] and DIGICIPHERTM [SI television sound systems. In recent years, the use of floating-point arithmetic in digital signal processing (DSP) has rapidly i n c r e a d due to the development of fast and low-cost floating-point signal processors. Since the algorithms are based on floating-point arithmetic, a need for floating-point converters has arisen. Eventually even such functions as volume control are likely to be implemented in digital form requiring a larger dynamic range for the D/A converter than is today commonly used. Even there are some difficulties in implementing Nyquist rate floating-point converters, they have beein studied extensively [A, [SI. In this paper, we discuss the design and implementation aspects of oversempled C A D/A conversion based on a full floating-point number system.